Tag: san francisco bay area

“Bar exposición” by Carlos Di Sarli y su Orquesta Típica, 1954.

Luis Teisseire

Flutist, composer, lyricist and leader
(24 October 1883 – 3 May 1960)

He joined the Hansen’s staff as flutist, later he switched to El Quiosquito. He also joined the outfits that played at the dancehalls of Rosendo, Bevilacqua and Posadas, besides playing at the cheap cafés of La Boca, on Suárez Street.

Among his compositions we find unforgettable titles which total over 80 pieces. Continue reading at www.todotango.com…

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Angel Vargas. Argentine music at Escuela de Tango de Buenos Aires.

“No aflojés” by Ángel D’Agostino y su Orquesta Típica with Ángel Vargas in vocals, 1940.

Ángel Vargas

Singer, lyricist and composer
(22 October 1904 – 7 July 1959)

He was the paradigm of the orchestra singer, to such an extent that when we refer to Ángel Vargas, we are inevitably reminded of Ángel D’Agostino, the orchestra leader of his greatest hits.

A singer with impressive personality, he is the symbol of porteño (from Buenos Aires) tango phrasing in the 40s. Vargas sings as only in the 40s tango was sung.
His phrasing was reo and compadrito but at the same time of an infinite good taste.

He had a sweetness which compensated for his small but masculine voice, he generated sympathy and was, above all, a charismatic singer.

Among his recordings these tango interpretations stand out “No aflojés”. Continue reading at www.todotango.com…

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“Tu corazón” by Alfredo de Ángelis y su Orquesta Típica with Carlos Dante in vocals, 1955.

Donato Racciatti

Bandoneon player, leader and composer
(18 October 1918 – 27 May 2000)

As the historian Juan Carlos Legido says, to write the history of Racciatti is to write a part of the history of Uruguay and of tango in Uruguay in a period of over fifty years. I further say, not only of tango in that brotherly republic, but also in both banks of the River Plate.

Donato Racciatti contributed to the vogue of danceable and popular tango, with great acclaim from the commercial standpoint. He was very often hired throughout Latin America and in Japan. Continue reading at www.todotango.com…

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“La mariposa” by Osvaldo Pugliese y su Orquesta Típica, 1966.

Pedro Maffia

Bandoneonist, leader, composer, teacher
(August 28, 1899 – October 16, 1967)

It is not known what secret gift made Pedro Maffia find in the core of the bandoneon sounds that nobody had discovered before.

Until the second decade of the twentieth-century bandoneon players tended to imitate the flute —gradually displaced in the early quartets— and the barrel organ with their instrument. After undergoing his childhood frequent beating with a chain made by his brutal father, who forced him to beg for money after each tango he played, Maffia was who delivered the bandoneon needed by this popular genre to leave behind the playful Guardia Vieja (old stream) and turn serious, concentrated, fairly dreaming and frequently sad. Continue reading at www.todotango.com…

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“Ansiedad” by Juan D’Arienzo y su Orquesta Típica with Alberto Echagüe in vocals, 1938.

Francisco Gorrindo

Lyricist
(October 5, 1908 – January 2, 1963)

Around the late 30s the name of Francisco Gorrindo reached, suddenly, a great reputation, as a consequence of the appearance of a series of tangos whose lyrics were immediately included into the popular ear and feeling.

Sententious, persuading lyrics because they were conveyed with direct, touching, and plain language, and even though they evidenced disbelief and pointed out injustice, this material caused a striking impact between 1936 and 1940. And all that had originated in this poet’s pen from Quilmes, standing as a would-be boom at that period.

Those hits were “Las cuarenta”, “Paciencia”, “Mala suerte”, “Gólgota”, “La bruja”, and “Ansiedad”, to mention only the pieces that sprung up almost one after the other during that short period. Continue reading at www.todotango.com…