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Argentine Tango School

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“Barrio reo” by Rodolfo Biagi y su Orquesta Típica with Carlos Acuña in vocals, 1943.

Carlos Acuña. Argentine music at Escuela de Tango de Buenos Aires.Carlos Acuña

Singer and composer
(November 4, 1915 – February 19, 1999)

Due to his commanding presence, which seamlessly blends the true essence of a tango singer, and owing to his profound, resonant voice, he honored the innate rhythm of the Buenos Aires melody. He was driven by a spirited tenacity that compelled him to share his vocals far and wide.

For all these reasons, Carlos remains and will continue to be one of the greatest vocalists of Tango.

By the end of 1942, he was requested by Rodolfo Biagi and made his debut on Radio Splendid. As he turned out a boom, the broadcasting itself organized for them a tour throughout the country. They also made as well a successful tour of Chile. His career with Biagi ended in 1944, and he committed to record twelve pieces. Continue reading at www.todotango.com…

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“Pastora” by Alfredo De Ángelis y su Orquesta Típica with Carlos Dante and Julio Martel in vocals, 1948.

Julio Martel, Carlos Dante, Alfredo De Angelis. Escuela de Tango de Buenos Aires. Argentine music.Alfredo De Angelis

Pianist, leader and composer.
(2 November 1910 – 31 March 1992)

Alfredo De Angelis belongs to the group of orchestras that focused their interest on dancing.

This, however, does not mean they lacked artistic value, on the contrary, they were precise in execution, with good arrangements and were lined-up with great musicians and vocalists.

De Angelis had the beauty of a harmonious and synchronized work, from which a neat simple tango was evidenced, achieved through an efficient handling of rhythm, a careful respect for melody and the showcasing of the singer. Continue reading at www.todotango.com…

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“Fuimos” by Anibal Troilo y su Orquesta Típica with Alberto Marino in vocals, 1946.

Homero Manzi. Argentine music at Escuela de Tango de Buenos Aires.Homero Manzi

Poet and lyricist
(November 1, 1907 – May 3, 1951)

Manzi has given, like no one else, poetry to tango lyrics. He was a poet who never published a book of poems.

His poetry was evidenced only through songs, from country themes to urban music, where he would be at his best. In this way, he became immensely popular without giving up his poet feelings. He resorted to metaphors, even surrealist, but never so much as to prevent ordinary people from fully understanding his message.

“Fuimos”, written together with the inspired bandoneon player José Dames, is a poem with extremely daring images (“I was like a rain of ashes and fatigue /in the resigned hours of your life …”) considering that it was a popular song; however, “Fuimos” would charm both public and interpreters, remaining as a paradigm of the elaborated and aesthetically ambitious tango. Continue reading at www.todotango.com…

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“Junto a tu corazón” by Carlos Di Sarli y su Orquesta Típica with Alberto Podestá in vocals, 1942.

José Maria Contursi. Argentine music at Escuela de Tango de Buenos Aires.José María Contursi

Poet and lyricist
(31 October 1911 – 11 May 1972)

A lyricist essentially poetic, sensitive and prolific, José María Contursi created a great number of hits.

His huge work reveals a creator of even inspiration, careful and experienced though somewhat reiterative in his themes and only exceptionally original and truly daring. Continue reading at www.todotango.com…

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“Tristezas de la calle Corrientes” by Miguel Caló y su Orquesta Típica with Raúl Berón in vocals, 1942.

Miguel Caló y su Orquesta Típica with Raúl BerónMiguel Caló

Bandoneonist, leader and composer
(28 October 1907 – 24 May 1972)

Caló carried out and developed a style that connects traditional tango with the innovations of the age, without stridence.

He not only promoted great musicians, but also great singers that made their professional debut in his orchestra, for example the case of Raúl Berón.
He was a musician formally trained, that studied violin and bandoneon. Continue reading at www.todotango.com…

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