Skip to main content

Argentine Tango School

Tag: Buenos Aires

“Entre tu amor y mi amor” by Alfredo De Ángelis with Juan Carlos Godoy, 1959.

Juan Carlos Godoy

(21 August 1922 – 12 February 2016)
In the city of Campana, where «the soft water was fresher than the river», my friend interviewed today was born.

There’s a gate through which memories go back home and through that open door represented by Juan Carlos’s heart I step into his life, asking him to tell me things. Those things that are said when you are drinking mate in the shade of an old plantation and which we guess may appeal to the public who are the indisputable addressees of our songs.

«Tango began to be something that interested me by 1933 when Agustín Magaldi came to Campana. He had to appear one Sunday at the theater of the Sociedad Italiana, but he had temporarily lost his voice and was unable to sing. He then only talked to the audience and his five guitarists played instead. I was a kid but I recall that Magaldi was a good-looking man and the fact that he was there was enough to please the audience.

«By that time Carlos Gardel appeared at the Teatro Moderno. Continue reading at www.todotango.com...

“El llorón” by Francisco Canaro y su Orquesta Típica, with Ernesto Famá, 1941.

Ernesto Fama. Argentine music at Escuela de Tango de Buenos Aires.Ernesto Famá

Singer and composer
(18 August 1908 – 19 July 1984)

By Néstor Pinsón
Famá was born in Buenos Aires in the neighborhood of San Cristóbal.

He left more than three hundred recordings as vocalist and he can be regarded, even though he was not the first one, as the estribillista (refrain singer) par excellence.

Out of that great number of recordings there are no more than twenty on which he sang the lyrics in full form.

His was not a voice to be showcased, not even his style which was not much different from those of his peers at that period, furthermore his intonation was far from perfect. But his interest for entertainment, which was evidenced when he was very young and his pleasant manners, plus a nice appearance and a good patronage placed him on the top ranks of his time.

He started in theater, later he was vocalist with Osvaldo Fresedo and, shortly, with Carlos Di Sarli. The association with Francisco Canaro that lasted a year, meant tours, radio and theater plays, and made possible his way up to fame.

Canaro’s popularity was great at its peak and Famá was part of this successful stage, one of the golden chapters of our tango. Continue reading.

Itunes music

SaveSave

“Bailarín compadrito” by Alfredo De Ángelis y su Orquesta Típica with Oscar Larroca in vocals, 1953.

Miguel Bucino. Escuela de Tango de Buenos Aires. Argentine music.Miguel Bucino

Bandoneonist, dancer, lyricist, and composer
(14 August 1905 – 15 December 1973)

He played the bandoneón and had not yet turned 18 when he joined, in 1923, Francisco Canaro’s orchestra, who, after four or five performances, dismissed it as bad, inducing him to dance because he had the natural vocation to it.

You must reach the goal of what is proposed by every being who wants to achieve it. Continue reading at www.todotango.com…

Why Tango?

This article continues a previous article.

I do not want to idealize the “natural man”, but our civilization took away the graceful walk of an elegant hunter-gatherer, leaving us instead the limping of a wounded beast.
Argentine Tango dance classes for beginners, intermediate and advanced level. Argentine Tango dance Private lessons. one to one Argentine dance lessons. Argentine Tango dance lessons for couples. Argentine Tango Milongas and workshops.

Is it too late for this realization?

At the individual level, aging poses a burden on us, making it more difficult, as time passes, to reconnect to our body, and with it, to the sensible aspects of our reality: shapes, colors, textures, smells, sensations, emotions, our sweat and that of others.

Our civilization, our education, train us, preferably, to be able to infer and deduce rather than perceive.

Still, perceiving is indispensable to our survival. But to the organization of our “modernized” societies it matters less that we develop good taste than that we are capable of accurate accounting.

Argentine Tango dance classes for beginners, intermediate and advanced level. Argentine Tango dance Private lessons. one to one Argentine dance lessons. Argentine Tango dance lessons for couples. Argentine Tango Milongas and workshops.

We are left on our own in matters of aesthetics.

If you do not care about beauty in your life, what are you? A hungry animal that is moved by primary necessities that urgently need to be satisfy: food, sex, shelter, instincts of self-preservation and protection of offspring.

The giant and complex machinery of our civilized modern societies is a great achievement of humankind, maximizing production, improving communications and supply chains, developing amazing urban conglomerates and enhancing security.

This is awesome!

What next?

Colonizing other worlds? Continue reading at Medium.com.San Francisco Bay Area. Argentine Tango dance classes for beginners, intermediate and advanced level. Argentine Tango dance Private lessons. one to one Argentine dance lessons. Argentine Tango dance lessons for couples. Argentine Tango Milongas and workshops.

Puppy Castello dancing with Graciela Gonzalez (1999)

Confessions by Puppy Castello

He is one of those men who, when they step on the track dancing sharply, go on being so witty and funny just like five minutes before, when they were sprinkling the dancers with hilarious epithets from a nearby table. He possesses a devil’s laughter and a strong voice that he likes to thunder above the music for the joy of his friends and which means a shock for foreigners and unwary people. This, not precisely at all, discreet personality exacerbates a kind of gift for ubiquity which he has. Continue reading.