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Argentine Tango School

Tag: Buenos Aires

“Pa’ que bailen los muchachos” by Anibal Troilo y su Orquesta Típica with Francisco Fiorentino in vocals, 1942 (English translation of the lyrics).

“Pa’ que bailen los muchachos
via’ tocarte, bandoneón.
¡La vida es una milonga!
Bailen todos, compañeros,
porque el baile es un abrazo:
Bailen todos, compañeros,
que este tango lleva el paso.
Entre el lento ir y venir
del tango va
la frase dulce.
Y ella baila en otros brazos,
prendida, rendida,
por otro amor.

No te quejes, bandoneón,
Que me duele el corazón.
Quien por celos va sufriendo
su cariño va diciendo.

No te quejes, bandoneón,
que esta noche toco yo.
Pa’ que bailen los muchachos
hoy te toco, bandoneón.
¡La vida es una milonga!

Ella fue como una madre,
ella fue mi gran cariño…
nos abrimos y no sabe
que hoy la lloro como un niño…
Quién la va a saber querer
con tanto amor,
como la quise.
Pobre amiga, pobre piba,
¡qué ganas más locas
de irte a buscar!

Pa’ que bailen los muchachos
via’ tocarte, bandoneón.
¡La vida es una milonga!”

English translation:

To make you dance, my friends
I will play you, bandoneon.
Life is a milonga!
Everybody dances, comrades,
because the dance is a hug:
Everybody dance, comrades,
that this tango counts the time.
Between the slow come and go
of tango goes
the sweet phrase.
And she dances in other arms,
wired, surrendered,
for another love.

Do not complain, bandoneon,
That my heart hurts.
Who by jealousy is suffering
his love goes speaking.

Do not complain, bandoneon,
that I play tonight.
To make my friends dance
today, I play you, bandoneon.
Life is a milonga!

She was like a mother;
she was the love of my life
we broke up, and she does not know
I cry like a child today …
Who will know how to love her
with so much love,
as I did?
Poor girlfriend, poor girl,
I feel this mad desire
to go looking for you.

To make you dance, my friends,
I will play you, bandoneon.
Life is a milonga!

Tango 1942
Music: Aníbal Troilo
Lyrics: Enrique Cadícamo

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“Canción de rango (Pa’ que se callen)” by Rodolfo Biagi y su Orquesta Típica with Carlos Acuña in vocals, 1943. (English translation of the lyrics)

Carlos Acuña. Argentine music at Escuela de Tango de Buenos Aires.“Let those who come to dance, dance;
listen, those who want to listen.

For all, there is a rhythmic tango,
pretentious and indomitable
reigning in my city.
I sing because I live the emotion
of the rhythmic and courageous tango.
I sing when someone shouts out
that there is a tango compadrito
looking for a heart.

For those who are saying
that the tango is sad, that it is a dance and a song of the mud.
To make them keep quiet, I will have them know:
My tango is a sad dance but a song of rank.
To make them stop talking, I send it in two by four,
this masculine cadence that becomes a song.
If they are sensitive, you will see that it is not from the mud
the one who wraps his heart in tangos.

Let those who come to dance dance,
and the others continue to listen.
Today, I have my emotions wrapped in tango
and that’s why I’m enjoying it
to the sound of his compass.
I sing because I live the emotion
of the rhythmic and courageous tango.
I sing when someone shouts
that is a tango compadrito
looking for a heart.”

Tango 1942
Music: Raúl Kaplún
Lyrics: José María Suñé

Letra original en castellano:

“Que bailen los que vienen pa’ bailar,
que escuchen los que quieran escuchar.

Pa’ todos hay un tango acompasado,
pretencioso y retobado
reinando en mi ciudad.
Yo canto porque vivo la emoción
del tango cadencioso y compadrón.
Yo canto cuando alguno pega el grito
que hay un tango compadrito
buscando un corazón.

Pa’ que se callen los que andan divulgando
que el tango es triste, que es danza y son del fango.
Pa’ que se callen les voy pasando el dato:
mi tango es danza triste, pero es canción de rango.
Pa’ que se callen les mando en dos por cuatro,
esta cadencia viril que se hace canto.
Si son sensibles, verán que no es del fango
aquel que envuelve en tangos su corazón.

Que bailen los que vienen pa’ bailar,
que sigan escuchando los demás.
Hoy tengo la emoción envuelta en tango
y es por eso que me agrando
al son de su compás.
Yo canto porque vivo la emoción
del tango cadencioso y compadrón.
Yo canto cuando alguno pega el grito
que hay un tango compadrito
buscando un corazón.”

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“Una emoción” by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943 (English translation).

“Una emoción” by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943 (English translation).

Ricardo Tanturi and Enrique Campos, Argentine Tango orchestra leader and his singer.

Music: Raúl Kaplún. Lyrics: José María Suñé.

Come and see what I bring
in this union of notes and words,
it’s the song that inspired me
the evocation that cradled me last night.

It is a tango voice modulated in every corner,
by which who lives an emotion that dominates him.
I want to sing for this song
which is increasingly sweet and seductive.

Wrapped in illusion last night I heard it,
composed the emotion by things of my past,
the house where I was born,
the grate and the parral,
the old merry-go-round and the rose garden.

His accent is the sentimental voice song,
his rhythm is the compass that lives in my city,
has no pretension,
he does not want to be insolent,
is called tango and nothing else.

This emotion that I bring,
was born in my voice full of nostalgia.
I feel a bark of rebellion when this is
his verses disguise him.

If it is so humble and so simple in its bars
why to write a bad example in every sentence?
With this rest of emotion
very easy is to reach the heart.

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We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Letra original en castellano

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“Orquestas de mi ciudad” by Anibal Troilo y su Orquesta Típica with Francisco Fiorentino in vocals, 1943.

“Orquestas de mi ciudad” by Anibal Troilo y su Orquesta Típica with Francisco Fiorentino in vocals, 1943.

Anibal Troilo and Francisco Fiorentino. Argentine tango music.

Francisco Fiorentino

Singer, bandoneon player and composer (23 September 1905 – 11 September 1955)

Fiorentino was, no doubt, the archetype of the orchestra singer, a concept which synthetically describes the main feature of tango in the 40s, when the singer was a member of the group on the same level as the musicians.

Fiorentino and Troilo achieved a well-oiled mechanism, of a perfect match where the orchestra was spotlighted in a long introduction to afterwards provide the adequate background necessary for the singer´s showcasing.

His personality, his taste and the permanent supervision by Pichuco resulted in an intimate singer of great warmth in his interpretation who knew how to touch the audience, establishing himself as a milestone in the history of tango vocalists.

More about Francisco Fiorentino at www.todotango.com

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“El 13” by Adolfo Carabelli y su Orquesta Típica with Alberto Gómez, 1932.

Adolfo Carabelli

Pianist, composer, and leader.
(September 8, 1893 – January 25, 1947)

The real amplitude of Carabelli’s capacity is evidenced in 1926 when Victor hired him as artistic director of the label and, at the same time, commissioned him to form an orchestra that would play either jazz or tango music. Thanks to Carabelli, since then, the Victor staff has reached a higher hierarchy since the Victor staff has achieved the inclusion of notable musicians and chosen an attractive repertoire. Similarly, the development of orthophonic recordings reached an unexpected sound quality just a few months before.

Among the best well-known tangos of his tango orchestra (orquesta típica) are the most authentic creations he made of “Mi refugio” (1931); “Cantando” (1931, with the added vocals by Simone and Alberto Gómez as a duo), “Felicia” (1932), “Por dónde andará” (1932), “Inspiración” (1932), “Mar adentro” (1933), etc. Also, some renditions with the refrain of tangos that usually are played only instrumentally, like “Rodríguez Peña” (1932) and “El Trece” (1932), are well remembered. Read more at www.todotango.com…


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