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"El adiós" by Edgardo Donato y su Orquesta Típica with Horacio Lagos in vocals, 1938.In an interview, Maruja Pacheco Huergo tells how the memorable melody of "El adiós" was...
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"El huracán" by Edgardo Donato y su Orquesta Típica with Felix Gutiérrez in vocals, 1932.The orchestra of Edgardo Donato had a phrasing wrapped up in broader dynamics, where the showcasing of...
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"El lengue" by Edgardo Donato y su Orquesta Típica, 1940.The orchestra of Edgardo Donato had a phrasing wrapped up in wide dynamics, where the...
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"Elegante papirusa" by Edgardo Donato y su Orquesta Típica, 1935.Tito Roccatagliata is an important part of the history of Tango itself.
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"La milonga que faltaba" by Edgardo Donato y su Orquesta Típica with Horacio Lagos in vocals, 1938.When he was 21, he was ready to work as a professional. He began with...
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"Mendocina" by Edgardo Donato y su Orquesta Típica with Romeo Gavioli in vocals, 1942.Romeo Gavioli represents the archetype of the style in vogue during the 40s, with his...
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"Mishiadura" by Edgardo Donato y su Orquesta Típica, 1942.Eduardo Arolas' musical language, as a composer and as a player, was purely Tango.
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"Sacale punta" by Edgardo Donato y su Orquesta Típica with Horacio Lagos and Armando Piovani in vocals, 1938 (English translation)."Sharpen this milonga That has already started. I felt that those bellows that grumble From the heart..."
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"Sinfonía de arrabal" by Edgardo Donato y su Orquesta Típica with Horacio Lagos, Lita Morales and Romeo Gavioli in vocals, 1940.The tango “El adiós” was the one which made Maruja Pacheco Huergo well-known. This creation...
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“Mi serenata” by Edgardo Donato y su Orquesta Típica with Lita Morales and Romeo Gavioli in vocals, 1940.Grandes Valores del Tango was, without a doubt, the most successful show which aired our...
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“Repique del corazón” by Edgardo Donato y su Orquesta Típica with Horacio Lagos and Lita Morales in vocals, 1941.In the early 40s José Rótulo arrived in Buenos Aires and Edgardo Donato records his...
Donato, Edgardo
Y su Orquesta Típica
Violinist, leader, and composer.
(April 14, 1897 – February 15, 1963)
He was born in the Buenos Aires neighborhood of San Cristóbal, located to the south of the center of the city of Buenos Aires, where today we find this address: Avenida Belgrano 1657. While still a child, with his family, he moved to live in the city of Montevideo, the capital of the República Oriental del Uruguay. When he was ten, he started to study music with his father, and later, he studied at a conservatory named Franz Liszt. When he was 21, he was ready to work as a professional. He began with his father in the opera music field, wearing a stiff collar and with a much more serious look, in spite of the fact that he was a stubborn humorist then and throughout his lifetime, even when he played the violin. Learn more at todotango.com.