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Argentine Tango School

Tag: tango music

“Silbar de boyero” by Osvaldo Pugliese y su Orquesta Típica with Roberto Chanel in vocals, 1944.

Osvaldo Pugliese and Roberto Chanel. Argentine music at Escuela de Tango de Buenos Aires.Roberto Chanel & Osvaldo Pugliese

The singer himself tells us: «I always got along very well with Pugliese in spite of his political ideas.»
The researcher Nélida Rouchetto described him this way:

«With his nasal sound, his canyengue and his common man’s diction he kept alive the popular roots that gave rise to the city music. It was Chanel who identified himself like an orchestra instrument, in the manner of a viola, as can be verified since his first recording».

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“Poema” by Francisco Canaro y su Orquesta Típica with Roberto Maida in vocals, 1935.

"Poema". Argentine music at Escuela de tango de Buenos Aires.Eduardo Bianco

Violinist, composer and leader
(28 June 1892 – 26 October 1959)

Since a young age he had had a formal training. He studied violin in his hometown, Rosario, province of Santa Fe. When he was a boy he went to Buenos Aires to join some orchestra, but according to his own saying, he was not lucky. Then he tried to take a chance in Paris. But he was not merely one player more, he soon understood the public taste and tinged his tangos with a European flavor and was widely acclaimed in all the countries where he appeared.
“Poema” was composed in collaboration by a group of musicians during a long trip by train. Continue reading.

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Dancing with sticks

We need to educate ourselves with a set of good habits, which in turn will allow us to flow through the dance floor in a comfortable manner. The more of our classes you take, the sooner you will feel comfortable and incorporate what you are learning to be able to dance.
When making your decisions, please keep in mind that learning how to dance is comparable to learning how to live: how much of your life are you willing to give to the goal of living better?
I have seen Pocho Pizarro and others dancing with broomsticks, and hear from older milogueros that it was practiced by them to reaffirm what they learned at practicas.
I highly recommend leaders to train this skill.

“Muñeca brava” by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo in vocals, 1942.

Luis Visca. Argentine music at Escuela de Tango de Buenos Aires.Luis Visca

Pianist and composer
(June 19, 1903 – June 22, 1968)

“Muñeca brava” sprang up at the Max Glücksmann contest in 1928, and Gardel recorded it on June 28, 1929.
His early professional appearances as a pianist were in late 1924 at the Cine Colón on Entre Ríos Avenue with a group of friend musicians; among them was Elvino Vardaro. And in 1925, he debuted on Radio Cultura with a group put together for the occasion. Continue reading at todotango.com.

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