Skip to main content

Argentine Tango School

Tag: philosophy

Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Marcelo Solis in red suit dancing Argentine Tango with a blond lady at a milonga in Buenos Aires with Blas Catrenau dancing in the background.

So, you’ve heard about milongas and are eager to join in on the dance floor.

But what exactly do you need to be able to go to these vibrant gatherings of Argentine Tango enthusiasts?

Let me break it down for you.

First and foremost, having basic social skills is key. Just like attending any other social event, you want to present yourself in a friendly and approachable manner. Make sure you’re clean and well-dressed, and be mindful of how you interact with others – whether it’s formal or informal depends on your relationship with each person.

If you’re new to the milonga scene, it’s a good idea to get an invite from someone who’s a regular attendee. This can serve as your bridge into the community and help you integrate more smoothly.

One way to find connections to milongas is through your tango classes. Fellow students who have been attending milongas can often introduce you to the scene.

And if you’re taking private lessons, your instructor can be your gateway to the milonga world. In fact, preparing students for the milonga experience is a primary goal of many Argentine Tango instructors.

Now, don’t feel pressured to dance right away when you attend your first milongas. It’s perfectly okay to just observe and soak in the atmosphere. Remember, the main purpose of a milonga is to facilitate the dance of Argentine Tango among its participants, but this happens naturally as part of the socialization process.

Dancing at milongas should be a choice made freely, without any sense of obligation. So, be considerate of others and never make anyone feel compelled to dance with you. Keep in mind that the beauty of tango lies in its freedom, and dancing under the weight of obligation simply isn’t authentic.

In conclusion, to thrive in the milonga scene, focus on building your social skills, make connections through classes or acquaintances, and always approach the dance floor with a sense of freedom and respect for others. With these principles in mind, you’ll be ready to immerse yourself in the captivating world of Argentine Tango milongas.

More articles about Argentine Tango

Continue learning Argentine Tango:

Leer este artículo en español

“Guapeando” by Anibal Troilo y su Orquesta Típica, 1941.

Anibal Troilo. Argentine music at Escuela de tango de Buenos Aires.Aníbal Troilo

Bandoneon player, leader and composer.
(11 July 1914 – 19 May 1975)

He was spellbound by the bandoneon when he heard its sound at cafés in his neighborhood. He was ten when he persuaded his mother into buying one for him. They got it at 140 pesos of that time, to be paid in 14 stallments, but after the fourth payment, the shopkeeper died and no one ever claimed for the rest. With that instrument he played almost during his whole lifetime. Continue reading at www.todotango.com…

Listen and buy:

Download Argentine Tango music fro iTunes Listen on Spotify

We have lots more music and history.

SaveSave

“Almagro” by Alfredo de Ángelis y su Orquesta Típica with Oscar Larroca in vocals, 1951.

Oscar Larroca & Alfredo De Angelis. Argentine music at Escuela de Tango de Buenos Aires.Oscar Larroca

Singer
(5 July 1922 – 26 August 1976)

One of the idols of the time, the vocalist Julio Martel, who, with Carlos Dante, had teamed up with the most successful duo of the 40s, split with the Alfredo De Angelis Orchestra. The violinist Víctor Braña, attracted by the color of Larroca’s baritone-like voice, his good intonation, and his diction, plus his good-looking appearance, introduced him to De Angelis, who hired him immediately.

Oscar quickly adapted himself to the style of the orchestra. A good blending with Dante takes place, so a harmonious duo with good intonation is born.

They made their debut on Radio El Mundo at the tango program with the greatest audience, Glostora tango club, on April 1, 1951. Continue reading at www.todotango.com…

“Silbar de boyero” by Osvaldo Pugliese y su Orquesta Típica with Roberto Chanel in vocals, 1944.

Osvaldo Pugliese and Roberto Chanel. Argentine music at Escuela de Tango de Buenos Aires.Roberto Chanel & Osvaldo Pugliese

The singer himself tells us: «I always got along very well with Pugliese in spite of his political ideas.»
The researcher Nélida Rouchetto described him this way:

«With his nasal sound, his canyengue and his common man’s diction he kept alive the popular roots that gave rise to the city music. It was Chanel who identified himself like an orchestra instrument, in the manner of a viola, as can be verified since his first recording».

Continue reading at www.todotango.com…

Listen and buy:
Download Argentine Tango music fro iTunes Listen on Spotify
We have lots more music and history…

“Poema” by Francisco Canaro y su Orquesta Típica with Roberto Maida in vocals, 1935.

"Poema". Argentine music at Escuela de tango de Buenos Aires.Eduardo Bianco

Violinist, composer and leader
(28 June 1892 – 26 October 1959)

Since a young age he had had a formal training. He studied violin in his hometown, Rosario, province of Santa Fe. When he was a boy he went to Buenos Aires to join some orchestra, but according to his own saying, he was not lucky. Then he tried to take a chance in Paris. But he was not merely one player more, he soon understood the public taste and tinged his tangos with a European flavor and was widely acclaimed in all the countries where he appeared.
“Poema” was composed in collaboration by a group of musicians during a long trip by train. Continue reading.

Itunes music
Listen on iTunes