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“Punto y coma” by Osvaldo Pugliese y su Orquesta Típica, 1948.

“Punto y coma” by Osvaldo Pugliese y su Orquesta Típica, 1948.

José Martínez

Pianist and composer (January 28, 1890 – July 27, 1939)

In 1919, José Martínez would leave Canaro‘s orchestra to form his own. Canaro himself confessed some time after that he thought it would significantly weaken his orchestra:

“Bandoneonists were scarce, and I turned to Minotto Di Cicco, who worked in Montevideo. And since he had nothing to envy Fresedo, he prevailed shortly after…

The problem came when José Martínez decided to form his orchestra to premiere with it at the cabIn 1919, Jose Martinez left Canaro’s orchestra to form his own. Canaro himself admitted later that he believed this would significantly weaken his orchestra. Bandoneon players were scarce, so he turned to Minotto Di Cicco, who worked in Montevideo. And since Di Cicco had nothing to envy about Fresedo, he quickly gained popularity. However, a problem arose when Martinez decided to form his orchestra and debut it at the cabaret L’Abbaye on Esmeralda Street, which was a loss for Canaro’s orchestra. Canaro replaced Martinez with Luis Riccardi, a pianist with exceptional technique. This, however, led to complaints from Royal’s clientele.

I supplanted him with Luis Riccardi, a pianist with a good technique… and I had to put up with the complaints from Royal’s clientele.”

They noticed the change and missed the typical Martínez beat. It took me a lot to convince the clientele of the cabaret!”

Read more about José Martínez and the History of Tango

Listen and buy:

We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

“Derecho viejo” by Osvaldo Pugliese y su Orquesta Típica, 1945.

“Derecho viejo” by Osvaldo Pugliese y su Orquesta Típica, 1945.

Eduardo Arolas

Bandoneonist, composer and leader (February 24, 1892 – September 29, 1924)

Between 1913 and 1916, his musical composition and production showed evident improvement due to his musical studies, and the achieved experience of his profession.

He consolidated his fame, taking his orchestra to the level of the most prominent ones. He left the neighborhood cafés, playing on Corrientes Street and at the luxurious places of Palermo neighborhood in the interior of Argentina and Montevideo.

Some of the compositions of this period, among many that have been forgotten, are “Derecho viejo”-played here by Osvaldo Pugliese y su Orquesta Típica in 1945.

Read more about Eduardo Arolas

Listen and buy:

We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

We have more Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

“Vamos” by Carlos Di Sarli y su Orquesta Típica with Alberto Podestá in vocals, 1944.

“Vamos” by Carlos Di Sarli y su Orquesta Típica with Alberto Podestá in vocals, 1944.

Feliciano Brunelli, Argentine Tango musician, leader and composer.

Feliciano Brunelli

Accordionist, pianist, bandleader and composer (February 7, 1903 – August 27, 1981)

Feliciano Brunelli was a composer and player of tangos, milongas, waltzes, and several other diverse rhythms, giving him the immense popularity he enjoyed for almost 40 years.

He recorded no less than 763 numbers, nearly all for the RCA-Victor label.

In the headquarters of this recording company in the United States, his photograph is on a wall alongside other musicians. He was awarded by being among the top ten-selling artists of that enterprise.

In 1933, he started a new stage in his life, which was the beginning of his popularity. 

Elvino Vardaro passed by his town, got acquainted with Feliciano, and took him to Buenos Aires. For a time, he lived in Elvino’s family house.

Read more about Feliciano Brunelli at www.todotango.com

Listen and buy:

We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

“Mendocina” by Edgardo Donato y su Orquesta Típica with Romeo Gavioli in vocals, 1942.

“Mendocina” by Edgardo Donato y su Orquesta Típica with Romeo Gavioli in vocals, 1942.

Romeo Gavioli, Argentine Tango singer and musician.

Romeo Gavioli

Singer, violinist, composer and bandleader (February 5, 1913 – April 17, 1957)

He represents the archetype of the style in vogue during the forties, with his voice expressing an introspective feeling through delicate phrasing and exquisite musicality.

His way of interpretation carries us to a pleasant, warm mood that makes us remember those light tenors that preceded him.

In 1939, Edgardo Donato summoned him to appear as a singer in his orchestra, along with the other vocalists, Lita Morales and Horacio Lagos, who were wife and husband.

Most of the numbers he recorded, 15, are duets or trios with the other singers.

As a soloist, he only recorded three pieces: the waltz “Mendocina” among them.

Read more about Romeo Gavioli at www.todotango.com

Listen and buy:

  • iTunes music

  • Spotify

We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

Mastering the Art of Argentine Tango: A Roadmap to Dance Excellence

Mastering the Art of Argentine Tango: A Roadmap to Dance Excellence

Marcelo Solis dancing Argentine Tango with Mimi at our beginner class.

Building Your Tango Foundation: The Power of Solo Practice and Musicality

Regular practice incorporating walking, weight changes, pauses, pivots, turns, “paradas” (stops), “calecitas” (merry-go-rounds), and embellishments serves as the cornerstone of your dancing freedom.

The best part? You can enhance these crucial elements without a partner by your side.

But that’s not all. Argentine Tango demands solo dedication in various aspects.

Musicality, for instance, plays a pivotal role in your tango journey.

To hone your musicality, immerse yourself in active listening to Tango music, delving into the intricacies of what you hear.

This newfound understanding will elevate your dancing to new heights.

The forthcoming tips are universally applicable, whether you’re engaged in solo practice or dancing alongside your partner:

1- Enhance Your Walking Skills:

Unlock the Potential in Your Walking Technique Initiate your practice sessions focusing on walking.

Explore four different walking speeds: regular, fast, slow, and very slow.

Begin by mastering the slow pace, allocating 4 counts for each step.

Next, dedicate time to practicing at a regular pace, aligning your steps with each downbeat of the music.

To work on fast-walking skills, engage in what’s commonly referred to as the “corrida.”

This involves walking to a rapid rhythm following a quick-quick-slow pattern or a down-up-down sequence.

Tango invites you to transform your walk – and, by extension, your entire life – into a masterpiece of artistry.

More walking exercises…

2- Change Of Weight:

A ‘change of weight’ is essentially a nuanced form of walking. It takes place in one spot without any physical displacement.

When you begin your dance, consider incorporating at least one change of weight to infuse elegance into your movements. However, avoid excessive changes, as moderation is key.

Here, you’ll discover a selection of exercises aimed at refining and enhancing your ability to execute seamless changes of weight:


Approach these changes with a composed demeanor. When dancing with your partner, your execution of this element should convey a soothing and serene presence to them.

More change of weight exercises…

3- Pauses:

Pauses rank among the paramount components of Tango.

While honing your techniques, actively seek instances where you can incorporate pauses.

For instance, consider incorporating a pause during a salida to the side, also known as a “salida in 2,” as a prime example.

You can make a pause in position 3:

After change of direction:

4- Pivots:

To refine your pivot technique, you can commence with bar exercises.

In the absence of a bar, utilize a chair, preferably one with a high backrest, to assist in practicing forward and backward ochos. Place your hands on the back of the chair for support.

Afterward, push your limits by practicing ochos without relying on the bar or chair for support.

Work on forward and backward ochos with both displacements and without any displacement during your practice sessions.

5- Mastering the Art of Tango Turns: A Guide to Five Essential Techniques

One of the most effective methods for enhancing your turning abilities in Argentine Tango is through chair exercises. These exercises provide an excellent platform for refining your technique and balance, making them valuable to your practice routine. Incorporating chair exercises into your training regimen can significantly improve your turns and elevate your overall dance performance.

Chair exercises offer a controlled environment where you can focus on the precise mechanics of turning. They allow you to work on your posture, balance, and footwork, which is essential for executing smooth and graceful turns in Tango. The support provided by the chair also ensures that you can practice safely and confidently, gradually building your skills.

Find a sturdy chair with a high backrest to get started with chair exercises for turns. Position it in an open space with ample room to move around. Here are some essential exercises you can incorporate:

And exercises involving the 1-2-3 structure of the turns:

Ensure that you practice all exercises in both clockwise and counterclockwise turning directions.

Engage in chair exercises but without the use of an actual chair.

Another element frequently incorporated into turns is the “rulo.”

And “enrosques” movements:

6- Exploring the Technique of “Paradas” (stops):

Developing control over both your own inertia and your partner’s is a crucial skill in Argentine Tango.

A valuable practice method is to challenge yourself to halt your movement at any point within the first five elements previously mentioned.

A classic illustration of stops is the “sanguchito” or “mordida” move:

7- Unlocking the Elegance of the “Calecita” in Argentine Tango

In this element, the follower must align her axis over one of her feet, enabling the leader to maintain a continuous pivot in one direction.

See an example:

8- Elevating Your Tango with Exquisite Embellishments:

A solid foundation in your dance forms the basis for its beauty.

Think of embellishments as a natural expression of your well-honed technique rather than mere add-ons or flashy movements.

It’s crucial to understand that no matter how many embellishments you incorporate into your dance, if your foundational walk is lacking, it will detract from the overall appeal.

Embellishments should seamlessly emerge from the groundwork you’ve laid in your dance practice. They are not isolated tricks but rather an integral part of your dance vocabulary, enhancing the elegance and expression of your movements. So, focus on building a strong foundation first, and let embellishments naturally enrich your dance as an organic extension of your skills.

Here are a few instances of embellishments, starting with “Cepillo” (brush):

“Rulos” (circles):

“Cross and go”:

9- The Art of Musicality:

Elevating your musicality involves actively immersing yourself in the world of Argentine Tango music.

Listen to Tango music now!

Osvaldo Pugliese, Argentine Tango orchestra.

Important Considerations to Keep in Mind:

Embrace regular and mindful practice.

Ensure it fills you with joy. By prioritizing your own enjoyment during practice, you cultivate generosity in sharing this joy with your dance partners and fellow dancers on the milonga and class floors.

Furthermore:

Dancing shouldn’t be daunting – It’s a journey of joy, creativity, and self-discovery.

Dancing is your time for amusement, self-expression, and relaxation, a chance to socialize and unwind in a friendly environment. To dance with a sense of freedom and confidence, you’ll need to embrace a challenge greater than Tango itself – the journey of classes and practice sessions.

Moreover:

Prioritize self-care for peak performance in your dancing.

    1. Incorporate stretching and regular exercise into your routine.
    2. Cultivate healthy eating habits and ensure adequate sleep for enhanced dance performance.

To Summarize:

Dancing Argentine Tango offers a path to not only organize your life but also to empower yourself and discover meaningful life goals.

Ultimately, it’s a journey towards making life more beautiful.

Learn to dance Argentine Tango

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