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Argentine Tango School

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“La abandoné y no sabía” by Ricardo Tanturi y su Orquesta Típica with Enrique Campos, 1944.

Jose Canet and Alberto Gomez. Know about Argentine Tango. Classes with Marcelo Solis at Escuela de Tango de Buenos Aires. San Francisco Bay Area.José Canet

Guitar player, leader, composer and lyricist
(December 15, 1915 – March 10, 1984)

Canet is the prototype of the classic tango guitarist, always ready to back with his guitar a tango vocalist.

His influences date back to the style of the players that accompanied Gardel, Magaldi, and Corsini.
He was one of the few guitarists who managed to stay away from Roberto Grela’s influence and create a major trend in tango. His style was deeply rooted and directly based on the classic guitar groups. On many of his performances, he added to the guitar trio or quartet other string instruments: contrabass, violins, and violoncello.

At age twelve, his vocation awakened when he heard Ignacio Corsini, and he was greatly struck by the guitar trio that backed the singer, which was lined up by Armando Pagés, Rosendo Pesoa, and Enrique Maciel.
By that time, he lived in the neighborhood of La Paternal and used to go fishing the Maldonado Creek with a friend a little older than him: Piero Hugo Bruno Fontana, who time later would become Hugo Del Carril. Continue reading at www.todotango.com...

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“Bailarina de Tango” by Rodolfo Biagi y su Orquesta Típica with Hugo Duval in vocals, 1951.

Hugo Duval, Argentine Tango singerHugo Duval

Singer
(December 13, 1928 – August 22, 2003)

Born in Buenos Aires, the owner of a beautiful voice, used to perform with a personal phrasing and, also, he knew how to express with a sober expression what the piece so demanded. Nearly all his show business career was linked to maestro Rodolfo Biagi with whom he achieved his most outstanding hits.

One of the greatest hits was “Bailarina de Tango”.

Hugo Duval and Jorge Ortiz were the emblematic vocalists of Rodolfo Biagi. Furthermore, they were those who recorded the greatest number of pieces with him. Continue reading at www.todotago.com…

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“La yumba” by Osvaldo Pugliese y su Orquesta Típica, 1952.

Osvaldo Pugliese. Argentine Tango music at Escuela de Tango de Buenos Aires.Osvaldo Pugliese

Pianist, leader, composer.
(2 December 1905 – 25 July 1995)

It was his father who taught him his first music lessons, he started his first steps with violin too, but soon he switched to piano.

In the 40s Pugliese recorded some instrumental pieces of his own which anticipated the avant-garde. Such is the case of “La yumba” (which became a sort of anthem of his orchestra).

Pugliese became the most faithful example of the De Caro style, but with a strong rhythmic beat, very appealing to the dancers but without sacrificing quality. Continue reading at www.todotango.com…

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“El Chamuyo” by Francisco Canaro y su Orquesta Típica, 1933.

Francisco Canaro. Argentine music. Escuela de Tango de Buenos Aires.Francisco Canaro

Musician, violinist, leader and composer.
(26 November 1888 – 14 December 1964)

His life runs parallel to the history of Tango: starting in the poorest neighborhoods of Buenos Aires, moving up the social ladder, eventually achieving world wide recognition.

He was born in Uruguay in 1888.

During his early childhood he moved with his family to Buenos Aires, where they rented a room in a “conventillo”, collective form of accommodation or housing in which several poor families shared a house, typically one family for each room using communal sanitary services.

His family was very poor.

Later, he would become one of the wealthiest people in Argentina, and a major contributor to the diffusion of Tango in Buenos Aires, the rest of Argentina and abroad. He went on to be very involved in the struggle for musicians and composers rights, making it possible to make a living for musicians and generating incentives for them to improve and be creative. Continue reading.

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“La revoltosa” by Francisco Lomuto y su Orquesta Típica, 1945.

Francisco Lomuto. Argentine music at Escuela de Tango de Buenos Aires.Francisco Lomuto

Pianist, leader and composer.
(24 November 1893 – 23 December 1950)

Francisco Lomuto recorded with his orchestra, between 1922 and 1950, over 950 numbers.

His last orchestra was, undoubtedly, the best, the most evolved and the tightest he led. The bandoneon section was lined-up by Federico Scorticati, Alfredo Cordisco, Manuel Alvarez and Domingo Greco. The violins were in charge of Carlos Taverna, Ernesto Gianni, José Carli and Otelo Gasparini. The pianist was Juan Carlos Howard, the double bass player was Alberto Celenza and his singers were Alberto Rivera and Miguel Montero. Continue reading at www.todotango.com…

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