Among the artists of a very long career in our popular music he had stood out by the hierarchy and the sustained inventiveness of his oeuvre as a composer of amazing classics.
To immediately appraise his talent, his heart of Buenos Aires man and the noble guarantee of his inspiration, you only need to listen to his works.
A figure of the Boedo school, which tended to renew and improve the popular aesthetics around 1930, he shared with them the commitment to a movement that forced all the authors to selection and refinement.
With Homero Manzi, especially, he achieved what till then seemed to be impossible: finding a new path for an old genre known as milonga.
His output, as a whole, places him at the level of the major creators of our music.