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Argentine Tango School

Tag: tango music

“Así se baila el Tango” by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo, 1942.

“Así se baila el Tango” by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo in vocals, 1942.

Alberto Castillo, Argentine Tango singer.

Alberto Castillo

Singer, actor, composer and lyricist (December 7, 1914 – July 23, 2002)

Alberto Castillo’s distinctive style perhaps finds its roots in the whimsically humorous charm prevalent in the backgrounds of Rosita Quiroga, Sofía Bozán, or Tita Merello. However, it’s crucial to note that these figures do not serve as influences on Castillo, as there exists neither a discernible similarity among them nor does Castillo bear any resemblance to them. Rather, they can be grouped together—alongside the subsequent addition of Elba Berón—due to a shared essence characterized by an unrefined cadence.

What ties them together is not an influence but a common atmosphere, a shared unpolished rhythm.

Yet, when Alberto Castillo delves into profound themes, the remarkable tenderness he imparts becomes evident.

In essence, he is a “voice that resonates unlike any other,” echoing the profound words of the unforgettable Julián Centeya.

Read more about Alberto Castillo at www.todotango.com

Listen and buy:

  • Amazon music

  • iTunes music

  • Spotify

We are happy to have collaborated with the people from tangotunes.com, from whom some of you may have heard; they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now, they have started a new project that addresses the dancers, and the website is https://en.mytango.online
    You will find two compilations of fantastic quality at the beginning, one tango and one vals collection.
    The price is 50€ each (for 32 songs for each compilation), and now the good news!

If you enter the promo code 8343 when you register on this site, you will get a 20% discount!

Thanks for supporting this project. You will find other helpful information on the site; it’s a great initiative.

Ver este artículo en español

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“Farol” by Osvaldo Pugliese y su Orquesta Típica with Roberto Chanel, 1943.

Roberto Chanel. Argentine Tango music from Marcelo Solis collection at Escuela de Tango de Buenos Aires.Roberto Chanel

Singer, composer, and lyricist.
(26 November 1914 – 24 July 1972)

Of the greatest importance was, when his orchestra finally recorded in 1943, the arrival of Roberto Chanel, a tough singer with nasal sound and compadrito style, who left 31 recordings. To achieve a contrast, Pugliese included Alberto Morán as a vocalist because of his dramatism, sensuality, rare quality for the mezza voce, and perfect match with the orchestral accompaniment. Any other singer has ever equaled his appeal to women. Morán left 48 recorded songs. Between 1949 and 1950, Jorge Vidal, another of the popular voices in the history of this orchestra, recorded only eight. Among the subsequent singers outstanding, although with repertories of irregular quality, Jorge Maciel and Miguel Montero. Read more at todotango.com…

“Pregonera” by Alfredo De Angelis y su Orquesta Típica, with Carlos Dante and Julio Martel (1945)

Alfredo De Angelis

Julio Martel, Carlos Dante, Alfredo De Angelis. Escuela de Tango de Buenos Aires. Argentine music.After the mid-thirties, international music prevailed upon Tango to such an extent that our more traditional tango orchestras included foxtrots, polkas, corridos, pasodoble, congas, and rhumbas in its repertoire.
From Francisco Canaro, Francisco Lomuto, and the Típica Victor until Julio De Caro and Osvaldo Fresedo alternated tangos with the most extravagant music.
But the appearance of the audacious and fast beat of Juan D’Arienzo again placed tango into the preference of the young, who not only recovered the liking for its dance but also eagerly started to recreate it.
Hundreds of orchestras and vocalists sprang up, creating the revival of the two-four, and so came the wonderful forties.
Alfredo De Angelis belongs to the group of orchestras that focused their interest on dancing. However, this does not mean they lacked artistic value; on the contrary, they were precise in execution, with good arrangements, and lined up with great musicians and vocalists.
Our intellectual élite always looked down on popular things, on what was easily accepted by people’s choice, because they disregarded and disregard the sociocultural phenomenon represented by dancing.
I always heard people say that De Angelis was a merry-go-round orchestra, that it was only used for dancing rooms, and lacked creativity. I guess the expression alluded to the funny habit of the dancers of their displacement on the place, turning round following the outline of the dancing floor. From another point of view, the criticism may aim at the easy, elementary, and routine music of the merry-go-rounds (carrousels).
I find these definitions somewhat mistaken.
De Angelis had the beauty of a harmonious and synchronized work, from which a neat simple tango was evidenced, achieved through efficient handling of rhythm, a careful respect for melody, and the showcasing of the singer. Continue reading at www.todotango.com….

Itunes music

“Canción de rango (Pa’ que se callen)” by Rodolfo Biagi y su Orquesta Típica with Carlos Acuña in vocals, 1943. (English translation of the lyrics)

Carlos Acuña. Argentine music at Escuela de Tango de Buenos Aires.“Let those who come to dance, dance;
listen, those who want to listen.

For all, there is a rhythmic tango,
pretentious and indomitable
reigning in my city.
I sing because I live the emotion
of the rhythmic and courageous tango.
I sing when someone shouts out
that there is a tango compadrito
looking for a heart.

For those who are saying
that the tango is sad, that it is a dance and a song of the mud.
To make them keep quiet, I will have them know:
My tango is a sad dance but a song of rank.
To make them stop talking, I send it in two by four,
this masculine cadence that becomes a song.
If they are sensitive, you will see that it is not from the mud
the one who wraps his heart in tangos.

Let those who come to dance dance,
and the others continue to listen.
Today, I have my emotions wrapped in tango
and that’s why I’m enjoying it
to the sound of his compass.
I sing because I live the emotion
of the rhythmic and courageous tango.
I sing when someone shouts
that is a tango compadrito
looking for a heart.”

Tango 1942
Music: Raúl Kaplún
Lyrics: José María Suñé

Letra original en castellano:

“Que bailen los que vienen pa’ bailar,
que escuchen los que quieran escuchar.

Pa’ todos hay un tango acompasado,
pretencioso y retobado
reinando en mi ciudad.
Yo canto porque vivo la emoción
del tango cadencioso y compadrón.
Yo canto cuando alguno pega el grito
que hay un tango compadrito
buscando un corazón.

Pa’ que se callen los que andan divulgando
que el tango es triste, que es danza y son del fango.
Pa’ que se callen les voy pasando el dato:
mi tango es danza triste, pero es canción de rango.
Pa’ que se callen les mando en dos por cuatro,
esta cadencia viril que se hace canto.
Si son sensibles, verán que no es del fango
aquel que envuelve en tangos su corazón.

Que bailen los que vienen pa’ bailar,
que sigan escuchando los demás.
Hoy tengo la emoción envuelta en tango
y es por eso que me agrando
al son de su compás.
Yo canto porque vivo la emoción
del tango cadencioso y compadrón.
Yo canto cuando alguno pega el grito
que hay un tango compadrito
buscando un corazón.”

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“Una emoción” by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943 (English translation).

“Una emoción” by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943 (English translation).

Ricardo Tanturi and Enrique Campos, Argentine Tango orchestra leader and his singer.

Music: Raúl Kaplún. Lyrics: José María Suñé.

Come and see what I bring
in this union of notes and words,
it’s the song that inspired me
the evocation that cradled me last night.

It is a tango voice modulated in every corner,
by which who lives an emotion that dominates him.
I want to sing for this song
which is increasingly sweet and seductive.

Wrapped in illusion last night I heard it,
composed the emotion by things of my past,
the house where I was born,
the grate and the parral,
the old merry-go-round and the rose garden.

His accent is the sentimental voice song,
his rhythm is the compass that lives in my city,
has no pretension,
he does not want to be insolent,
is called tango and nothing else.

This emotion that I bring,
was born in my voice full of nostalgia.
I feel a bark of rebellion when this is
his verses disguise him.

If it is so humble and so simple in its bars
why to write a bad example in every sentence?
With this rest of emotion
very easy is to reach the heart.

More Argentine Tango lyrics

Listen and buy:

  • Amazon music

  • iTunes music

  • Spotify

We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Letra original en castellano

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?