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Argentine Tango School

Tag: tango music

“El apache argentino” by Juan D’Arienzo y su Orquesta Típica, 1944.

“El apache argentino” by Juan D’Arienzo y su Orquesta Típica, 1944.

Manuel Aróztegui

Pianist and composer (January 4, 1888 – November 14, 1938)

His devotion to music was born after he heard Pacho in 1905.

In 1912 accompanied by Paulino Facciona (violin) and Manuel Firpo (bandoneon), he appeared at the Café El Maratón (on Canning and Costa Rica). A terrible shooting ended his performances which had been carried out for six months. Probably the bandoneon attracted belligerent customers.

El Capuchino, a kind of cinema-ballroom, was the new scenery, of ambiance rather peaceful; there, his tenure lasted three years.

His first tango composition —“El apache argentino”—, was heard for the first time in 1913 there.

Withdrawn from the musical activity, later Aróztegui devoted himself to the decoration of toys that he himself peddled.

Read more about Manuel Aróztegui at www.todotango.com

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We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

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“El africano” by Cayetano Puglisi y su Sexteto Típico, 1929.

Cayetano Puglisi y su Sexteto. Argentine music at Escuela de Tango de Buenos Aires.Cayetano Puglisi

Violinist, leader, and composer.
(January 2, 1902 – November 2, 1968)

We arrive at a very important chapter in the artistic career of this great musician.

We place it in 1928, a period when the sextets blossomed.

This splendid outfit he put together is always remembered with admiration and nostalgia by lovers of good tango.

The orchestra always evidenced a trademark of quality, with a special sort of slow beat full of tango colors and a very hard-to-match richness of nuances. The crisis brought by the lack of work made this group disband. Continue reading at www.todotango.com…

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“Cuidado con los 50” by Carlos Di Sarli y su Orquesta Típica, 1954.

"Cuidado con los cincuenta", Argentine Tango music sheet cover.Ángel Villoldo

Composer and lyricist
(16 February 1861 – 14 October 1919)

It was composed as a result of the resolution issued by the Chief of Police, Colonel Ramón L. Falcón, on December 28, 1906, about words, acts and obscene gestures.

Already in 1889 a police order had established “those who publicly offend modesty with words, acts or obscene gestures” will suffer, the first time, 15 days of arrest or fifty pesos of fine.

“The police personnel are reminded of the duty attributed to them by the regulations in force, to constantly watch over morality and good manners, as well as to prevent anyone from being molested or provoked with gestures or words that infer offense to modesty; proceed with the utmost effort in the prevention of that failure and with the utmost rigor in the repression when it is attacked against ladies, girls, the elderly, people of the cult and in general of all those that because of sex, difference of strength, weakness, etc. they can not repel the aggressions or assure or persecute the authors to denounce them to the authority “.

José Gobello, “Conversando tangos” Buenos Aires: A. Peña Lillo Editor, 1976.

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“Cicatrices” by Carlos Di Sarli y su Sexteto Típico with Santiago Devin in vocals, 1930.

Santiago Devin. Argentine music at Escuela de Tango de Buenos Aires.Santiago Devin

Singer
(27 December 1908 – 30 October 1950)

He was a singer with a very defined and melodious voice, successfully enough in the 30s.

He had a great ascendancy among the female audiences of that time. He was also “estribillista” (refrain singer) for Carlos Di Sarli.

We highlight his presence at a time of a hard competition with great colleagues in the song field. Continue reading at www.todotango.com…

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“El vals de nochebuena” by Alfredo de Ángelis y su Orquesta Típica with Carlos Dante in vocals, 1944.

Carlos Dante

Singer and composer
(12 March 1906 – 28 April 1985)

Carlos Dante, Julio Martel & Alfredo De Angelis. Argentine music at Escuela de Tango de Buenos Aires.The generation of the forties has been called a brilliant promotion of interpreters, composers and poets that by then reached the peak of a prestigious artistic career, together with a number of authentic young values who were regarded as promising appearances supported by relevant aptitudes to project themselves towards consecration.

Among those most representative winners, at that very important period of the boom of our tango to be danced, to be sung and to be listened to, we find the name of Carlos Dante.

The second period of his artistic activity started on October 1, 1944 at the café Marzotto on Corrientes street, with El Colorado De Angelis. Continue reading at www.todotango.com…

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