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Enriqueta Kleinman and Ruben Harymbat, May 2009.

Ruben’s passion for the tango was evident as soon as you see him on the dancer floor. His energy belies his age, or perhaps it is indicative of the many years he has expressed himself through the dance. Ruben was the “master of improvisation” and owner of enormous creativy. Ruben was highly sought out dancer in Argentina for performances. His performance partners have included Anna Maria Schapira, Alicia Pons, Susana Miller, Maria Plazaola, Enriqueta Kleinman, and Marisa Galindo among others. Ruben was invited to perform in November 2007 for the Congress of the Nation of Argentina in homage in “Recognition to the Milongueros of the night in Buenos Aires.” Read more.

Enriqueta has danced tango for over 17 years. She had taught group and private classes in Buenos Aires and all over the world. She was an expert in Salon Tango – Milonguero Style, Tango Waltz and Milonga. Enriqueta also specialized in teaching technique for women and has led many courses and seminars. She performed at the Third and Fifth Metropolitan Championships in Buenos Aires. Read more.

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Graciano de Leone. Argentine music at Escuela de Tango de Buenos Aires

“Reliquias porteñas” by Francisco Canaro y su Orquesta Típica, 1938.

Graciano de Leone. Argentine music at Escuela de Tango de Buenos AiresGraciano De Leone

Bandoneonist, leader and composer
(16 July 1890 – 21 June 1945)

This porteño was initially guitarist. His friend, Eduardo Arolas, persuaded him to pick up bandoneon. He had two brothers that were musicians, Pascual who was pianist and Nicolás, guitarist. He lived for a long time on Tacuarí 1870 and his whereabouts were the neighborhood of Barracas and Parque Lezama. Continue reading at todotango.com…

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“Garúa” by Pedro Laurenz y su Orquesta Típica with Alberto Podestá in vocals, 1943.

Enrique Cadícamo. Argentine music at Escuela de Tango de Buenos Aires.Enrique Cadícamo

Poet, lyricist, composer, writer, and theatre writer.
(July 15, 1900 – December 3, 1999)

It is difficult to find so prolific an author within any songbook in the world; he approached any imaginable subject to be sung and in all rhythms.

“An everlasting boy —wrote León Benarós—, Cadícamo seems to live counterclockwise. He keeps his hair intact, of a pale blond color, that becomes square at the back of his neck and rather long in a juvenile fashion… He wears light-colored ties —once we saw him with one of a subtle yellow color— and his sports coats add him youth. He wants to forget about time because he knows that time —“that dark enemy that sucks our blood”, according to Baudelaire’s lines—, feeds on our illusions, on our life…” Continue reading at www.todotango.com…

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Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Marcelo Solis in red suit dancing Argentine Tango with a blond lady at a milonga in Buenos Aires with Blas Catrenau dancing in the background.

So, you’ve heard about milongas and are eager to join in on the dance floor.

But what exactly do you need to be able to go to these vibrant gatherings of Argentine Tango enthusiasts?

Let me break it down for you.

First and foremost, having basic social skills is key. Just like attending any other social event, you want to present yourself in a friendly and approachable manner. Make sure you’re clean and well-dressed, and be mindful of how you interact with others – whether it’s formal or informal depends on your relationship with each person.

If you’re new to the milonga scene, it’s a good idea to get an invite from someone who’s a regular attendee. This can serve as your bridge into the community and help you integrate more smoothly.

One way to find connections to milongas is through your tango classes. Fellow students who have been attending milongas can often introduce you to the scene.

And if you’re taking private lessons, your instructor can be your gateway to the milonga world. In fact, preparing students for the milonga experience is a primary goal of many Argentine Tango instructors.

Now, don’t feel pressured to dance right away when you attend your first milongas. It’s perfectly okay to just observe and soak in the atmosphere. Remember, the main purpose of a milonga is to facilitate the dance of Argentine Tango among its participants, but this happens naturally as part of the socialization process.

Dancing at milongas should be a choice made freely, without any sense of obligation. So, be considerate of others and never make anyone feel compelled to dance with you. Keep in mind that the beauty of tango lies in its freedom, and dancing under the weight of obligation simply isn’t authentic.

In conclusion, to thrive in the milonga scene, focus on building your social skills, make connections through classes or acquaintances, and always approach the dance floor with a sense of freedom and respect for others. With these principles in mind, you’ll be ready to immerse yourself in the captivating world of Argentine Tango milongas.

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