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Argentine Tango School

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“El Chamuyo” by Francisco Canaro y su Orquesta Típica, 1933.

Francisco Canaro. Argentine music. Escuela de Tango de Buenos Aires.Francisco Canaro

Musician, violinist, leader and composer.
(26 November 1888 – 14 December 1964)

His life runs parallel to the history of Tango: starting in the poorest neighborhoods of Buenos Aires, moving up the social ladder, eventually achieving world wide recognition.

He was born in Uruguay in 1888.

During his early childhood he moved with his family to Buenos Aires, where they rented a room in a “conventillo”, collective form of accommodation or housing in which several poor families shared a house, typically one family for each room using communal sanitary services.

His family was very poor.

Later, he would become one of the wealthiest people in Argentina, and a major contributor to the diffusion of Tango in Buenos Aires, the rest of Argentina and abroad. He went on to be very involved in the struggle for musicians and composers rights, making it possible to make a living for musicians and generating incentives for them to improve and be creative. Continue reading.

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How to best take advantage of our classes?

We recommend that you become a regular student.

Learn to dance Argentine Tango at Escuela de Tango de Buenos Aires.We need to educate ourselves with a set of good habits, which in turn will allow us to flow through the dance floor in a comfortable manner.

The more of our classes you take, the sooner you will feel comfortable and incorporate what you are learning to be able to dance.

The best way to advantage of our classes is to take all of them, and the second best is to take as many as possible.

Asking us which one of our classes we recommend is like asking a father which one of his children he loves the most: we love all our classes. We fully engage ourselves, making each of them one-of-a-kind. In this sense, the best way to advantage of our classes is to take all of them, and the second best is to take as many as possible.

Our pricing options include class cards, which will allow you to take any of our classes with a single payment. See more information pricing options…

Private lessons:

Private lessons are a must!!!

Another advantage of becoming a regular student is that we will be able to personalize our instruction to you. In order to better personalize our instruction to you, private lessons are a must. More information about private lessons…

When making your decision, please keep in mind that learning how to dance is comparable to learning how to live:

How much of your life are you willing to give to the goal of living better?

All about Argentine Tango

Marcelo Solis dancing at a milonga in Buenos AiresWhen in an embrace with our partner, we find ourselves (in the beginning) in an unfamiliar situation.

Having a bigger, conjoined body, with four legs, with different levels of sensitivity among its duplicated parts, but demanding equal amounts of awareness in relation to them.

This is a situation that requires committed and engaged preparation, and lots of practice to be able to, first, become familiar with it, and then, fundamentally, to be able to poeticize it, to make an Art of what, otherwise, is a primordial nature call – the pleasure of being embraced by another human being.

This new body, which we freely agree to conform to, challenges us to abandon the comfortable, mundane refuge of our egos, demanding that we become something else that is not our “self”, but the couple dancing Tango on the dance floor at a good milonga.

This is a very freeing outcome of practicing the dance of Tango, a sense of liberation that can sometimes be disturbing, nevertheless enlightening.

There is a profound wisdom in the ability to dance Tango.

There is a profound wisdom in the ability to dance Tango. A wisdom that you acquire through training, by working on the way you hold your body, the way you move, paying precise attention to detail, developing a sense of awareness and careful respect in dealings with others at milongas, learning to passionately love the music that milongueros dance to, opening yourself up to music that expertly advises you on how to move in every beat.

This wisdom does not stop there. Milongueros, who have been dancing Tango for decades at the best milongas, who are all in Buenos Aires, who have been developing a familiarity with other milongueros, most of them older, listening to them, taking their advice, learning from them, developing a wisdom, a knowledge, which is at the very least hard, if not impossible, and would ultimately not make sense to explain in words.

It is in the dance of a milonguero where you will find his or her wisdom.

It is in the dance of a milonguero where you will find his or her wisdom. To learn to dance Tango, which is to learn all about Tango, is an unspeakable enterprise, in which words act mainly as signs that point you in the direction of what you need to see or feel.

Dancing embraced by a milonguero is where learning Tango begins. The rest is a preamble to it. That is how Tango reached our time in history, communicated from person to person through the embrace of brothers, sisters, cousins, uncles, aunts, fathers and mothers, grandparents and friends, in homes, at practicas in neighborhood clubs, where experienced dancers danced with and gave instruction and advice to newer ones.

Today, in accordance with the modalities of our present time, private lessons are the only effective way to learn to dance Tango.

Today, in accordance with the modalities of our present time, private lessons are the only effective way to learn to dance Tango, on a regular basis, at least once a week, the more the better. In group classes you learn and train the social aspects of Tango, the “códigos” of the milongas, to move among other couples on the dance floor, practice useful exercises, make friends and start to integrate yourself in the society of Tango. However, not everybody has the same goals regarding Tango, and this is something to keep in mind about group classes.

If your goal is to dance Tango, to become a milonguera or milonguero, private lessons is a must. Even for a leader, learning to lead from another leader is essential.

“Arrabal” by Pedro Laurenz y su Orquesta Típica, 1937.

Pedro Laurenz. Argentine music at Escuela de Tango de Buenos Aires.Pedro Laurenz

Bandoneon player, director and composer
(10 October 1902 – 7 July 1972)

In 1937 he started recording for the Víctor company, and his version of “Arrabal” by the pianist José Pascual, is considered by some scholars, as the hinge of the newly born golden epoch of the tango which would reach the top in the 40s.

Read more at www.todotango.com…

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Exploring the Essence of Milonga

Exploring the Essence of Milonga

Argentine Tango dancing by Marcelo Solis and Mimi at Yountville, California

In contemporary language, the term “milonga” unfolds into two distinct dimensions:

  • A specific rhythm and musical genre.
  • A vibrant Tango dance gathering.

The roots of this intriguing word delve into the West African Bantu language, where “malonga” translates to “word.” “Milonga” emerges as the plural of “malonga,” signifying a collection of words.

Historical insights propose that the African community in Rio de La Plata initially employed this term in reference to the “payada,” a musical competition featuring two participants engaging in guitar play and improvised verse exchanges. The rhythm of these expressions eventually evolved into what we now recognize as the milonga rhythm.

As Tango dance emerged onto the scene, it began as a versatile partner dance adaptable to various rhythmic styles.

While the Waltz held sway during its inception, the milonga rhythm seamlessly integrated into Tango’s dance technique, proving an ideal match. Over time, “milonga” not only encapsulated the rhythm but also became synonymous with the gathering and venue where this distinctive dance form flourished. The word “Tango” was initially a synonym of “milonga”, and they later became the name of two differentiated rhythms. Tango dance parties and the location where it is danced kept the name “milonga”, as well as its crowd of participants, “milongueros”.

For over 130 years, milongas, meaning Tango dance parties, have thrived. Throughout this enduring legacy, milongas have crafted a unique set of codes, fostering efficiency and creating an environment conducive to the emergence of exceptional dancers. This cultural phenomenon remains a cherished gem, weaving its narrative through time.

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