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“La vi llegar” by Miguel Caló y su Orquesta Típica with Raúl Iriarte in vocals, 1944.

“La vi llegar” by Miguel Caló y su Orquesta Típica with Raúl Iriarte in vocals, 1944.

Raúl Iriarte & Miguel Caló, Argentine Tango singer and leader.

Raúl Iriarte

Singer (15 October 1916 – 24 August 1982)

He has been one of the tango vocalists most famous and requested in Latin America.

Since an early age he was inclined towards music; he had a devotion for singing and guitar playing.

He had a baritone range, an afflicted voice with special color, perfect diction and good looks. 

In 1943 he join the orchestra of Miguel Caló.

Among his many recordings with this orchestra, we highlight “La vi llegar”.

Read more about Raúl Iriarte at www.todotango.com

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Argentine Tango class on vals

Argentine Tango class on vals






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Looking for tips about learning Argentine Tango dance?

Because you have realized the value of Tango, namely that Tango is highly important to you, I am offering here a guide into your Tango journey.

  1. Be disciplined, regular, and committed to your study of Tango. While dancing Tango is amusing, it is also different from other ways to amuse yourself. Choose these unique characteristics of Tango to be the main core of your dedication to learning it. Steps, choreographic patterns, socializing, close proximity to partners, are all aspects that Tango has in common with other dances and other kinds of activities. On the other hand, its music is unique; and, also, unique is the approach that milongueros have in relation to Tango: for them, Tango is not a “way of life”, but “Life” itself. 
  2. If Tango is life, then your Tango teacher is a life-coach. He or she is teaching you how to live Tango. Your relationship between you and your teacher is based on trust, mutual understanding, sympathy, and patience. Tango makes both of you meet at a very humane level, where both need to accept their own limitations and flows, as well as good qualities. The potential for improvement of Tango is infinite. In the face of such a wide-open horizon, both student and teacher are students of Tango. Your teacher is your guide through Tango, but also your road companion. Choose carefully.
  3. Tango is a world. Your Tango teacher is a bridge to it. Allow yourself to know that world, its inhabitants, its culture. A Tango teacher that is making a good job, will have different levels of approximation to your definitive contact with Tango and, eventually, living-breathing-existing-embodying Tango. The first pool in your “decanting” to Tango would be your teacher’s inner group of students. Not anyone who shows up in class, but those who showing up in class regularly, are noticeably there to learn about Tango. Be perceptive to this difference. Then, your teacher with or without this inner group will take you to your first local milongas. New questions will arise there, that you will need to discuss with your teacher. Eventually, you will visit Buenos Aires. You must trust this to your teacher. He or she, if authentic, is your most reliable connection to Tango in Buenos Aires. 

Learn to dance Argentine Tango in the San Francisco Bay Area:

“Gracias” by Carlos Di Sarli y su Orquesta Típica with Jorge Durán in vocals, 1946.

“Gracias” by Carlos Di Sarli y su Orquesta Típica with Jorge Durán in vocals, 1946.

Carlos Bahr, Argentine Tango lyricist.

Carlos Bahr

Lyricist and composer (15 October 1902 – 23 July 1984)

The prolific contribution made by Carlos Bahr to tango literature through lyrics of so valuable and varied contents, makes his name be necessarily mentioned when the diffusion of this genre is concerned.

So many works of impeccable elaboration, devised with clear ideas and literary neatness —in most of which he achieved the exact blend between art and craftsmanship—, permanently update his name because all that production was included in the repertoires of all the orchestral groups which were able to record.

Furthermore, almost all the numbers we have chosen in the selection enclosed in this work were recorded by various groups simultaneously, to which were added many interpretations by soloists.

Read more about Carlos Bahr at www.todotango.com

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“El africano” by Juan D’Arienzo y su Orquesta Típica, 1937.

“El africano” by Juan D’Arienzo y su Orquesta Típica, 1937.

Eduardo Pereyra

Pianist, leader and composer (13 October 1900 – 21 February 1973)

A great pianist, he is placed among the creators and interpreters of tango romanza.

He was as well present at the beginnings of the Argentine radio.

Around 1926, Eduardo Pereyra left everything behind and went to Europe.

“El africano” is among his best works, due to its structure and originality.

Read more about Eduardo Pereyra at www.todotango.com

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“Pompas de jabón” by Juan D’Arienzo y su Orquesta Típica with Juan Carlos Lamas in vocals, 1942.

“Pompas de jabón” by Juan D’Arienzo y su Orquesta Típica with Juan Carlos Lamas in vocals, 1942.

Juan Carlos Lamas & Juan D'Arienzo, Argentine Tango music creators.

Juan Carlos Lamas

Singer (13 October 1921 – 27 July 2004)

Today when we revise aspects of his career, we realize, that his year-and-a-half tenure with Juan D’Arienzo was the most important stage in his career as a tango singer.

His inquiring spirit led him to visit several cities of the world and to explore other facets of art.

The first recording with the Maestro D’Arienzo was in 1942: “Pompas de jabón”.

Thereafter he appeared at different venues until he started to travel worldwide.

Firstly, he went to Mexico and Cuba, later to Puerto Rico and Spain.

Finally, to Italy where he was based for a year in its capital, Rome, where he appeared at theaters.

Read more about Juan Carlos Lamas at www.todotango.com

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More Argentine Tango music selected for you:

We have lots more music and history

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