One of the idols of the time, the vocalist Julio Martel, who, with Carlos Dante, had teamed up with the most successful duo of the 40s, split with the Alfredo De Angelis Orchestra. The violinist Víctor Braña, attracted by the color of Larroca’s baritone-like voice, his good intonation, and his diction, plus his good-looking appearance, introduced him to De Angelis, who hired him immediately.
Oscar quickly adapted himself to the style of the orchestra. A good blending with Dante takes place, so a harmonious duo with good intonation is born.
They made their debut on Radio El Mundo at the tango program with the greatest audience, Glostora tango club, on April 1, 1951. Continue reading at www.todotango.com…
After the mid-thirties, international music prevailed upon Tango to such an extent that our more traditional tango orchestras included foxtrots, polkas, corridos, pasodoble, congas, and rhumbas in its repertoire.
From Francisco Canaro, Francisco Lomuto, and the Típica Victor until Julio De Caro and Osvaldo Fresedo alternated tangos with the most extravagant music.
But the appearance of the audacious and fast beat of Juan D’Arienzo again placed tango into the preference of the young, who not only recovered the liking for its dance but also eagerly started to recreate it.
Hundreds of orchestras and vocalists sprang up, creating the revival of the two-four, and so came the wonderful forties.
Alfredo De Angelis belongs to the group of orchestras that focused their interest on dancing. However, this does not mean they lacked artistic value; on the contrary, they were precise in execution, with good arrangements, and lined up with great musicians and vocalists.
Our intellectual élite always looked down on popular things, on what was easily accepted by people’s choice, because they disregarded and disregard the sociocultural phenomenon represented by dancing.
I always heard people say that De Angelis was a merry-go-round orchestra, that it was only used for dancing rooms, and lacked creativity. I guess the expression alluded to the funny habit of the dancers of their displacement on the place, turning round following the outline of the dancing floor. From another point of view, the criticism may aim at the easy, elementary, and routine music of the merry-go-rounds (carrousels).
I find these definitions somewhat mistaken.
De Angelis had the beauty of a harmonious and synchronized work, from which a neat simple tango was evidenced, achieved through efficient handling of rhythm, a careful respect for melody, and the showcasing of the singer. Continue reading at www.todotango.com….
(21 August 1922 – 12 February 2016)
In the city of Campana, where «the soft water was fresher than the river», my friend interviewed today was born.
There’s a gate through which memories go back home and through that open door represented by Juan Carlos’s heart I step into his life, asking him to tell me things. Those things that are said when you are drinking mate in the shade of an old plantation and which we guess may appeal to the public who are the indisputable addressees of our songs.
«Tango began to be something that interested me by 1933 when Agustín Magaldi came to Campana. He had to appear one Sunday at the theater of the Sociedad Italiana, but he had temporarily lost his voice and was unable to sing. He then only talked to the audience and his five guitarists played instead. I was a kid but I recall that Magaldi was a good-looking man and the fact that he was there was enough to please the audience.
Bandoneonist, dancer, lyricist, and composer
(14 August 1905 – 15 December 1973)
He played the bandoneón and had not yet turned 18 when he joined, in 1923, Francisco Canaro’s orchestra, who, after four or five performances, dismissed it as bad, inducing him to dance because he had the natural vocation to it.
“Volvamos a empezar” by Alfredo De Ángelis y su Orquesta Típica with Oscar Larroca in vocals, 1953.
Oscar Larroca
Singer 5 July 1922 – 26 August 1976
The great singer Oscar Larroca was born in the neighborhood of Almagro.
In 1951, an event that allowed Oscar’s development and his definitive consecration took place.
A violinist in Alfredo De Angelis‘ orchestra, attracted by the color of his baritone-like voice, good intonation, diction, and good-looking appearance, introduced him to De Angelis, who hired him immediately.
Oscar quickly adapted himself to the style of the orchestra.
In a short time, he was recognized by the public, who admired the so-called “orchestra of the youth”, as the De Angelis Orchestra was known.
Subsequently, he will record the tango that will open all the doors of Latin America for him: “Volvamos a empezar”.
We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do hi-quality transfers from original tango shellacs.
It is the number 1 source for professional Tango DJs all over the world.
Now they started a new project that address the dancers and the website is https://en.mytango.online You will find two compilations at the beginning, one tango and one vals compilation in an amazing quality. The price is 50€ each (for 32 songs each compilation) and now the good news!
If you enter the promo code 8343 when you register at this site you will get a 20% discount!
Thanks for supporting this project, you will find other useful information on the site, a great initiative.