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Embracing the Essence of Argentine Tango: A Journey through Beauty, Honesty, and Belonging in the Milonga

Embracing the Essence of Tango: A Journey through Beauty, Honesty, and Belonging in the Milonga

Argentine Tango dancing by Marcelo Solis and Mimi at Pulgas Water Temple, San Francisco, California.

Tango is a dance between partners characterized by an embrace.

Hence, the essence of Tango is inherently tied to the continuous embrace between partners; without this connection, it ceases to be authentic Tango. While the intricate footwork holds significance, it remains secondary. The actual test of Tango lies in the ability to dance seamlessly while maintaining the embrace. It’s crucial to understand that every movement in Tango serves the purpose of preserving the embrace and actively creating and enhancing it.

Tango commences with the initial embrace, evolving through a sequence of movements that draw us closer, ensuring a continuous and intimate connection between partners.

Tango is more than just a dance; it is a social experience that immerses you in a vibrant community, thriving within the milieu of the milonga.

Tango transcends mere dance; it is a social tapestry woven within the vibrant community of the milonga. The milonga is more than a dance floor; it resembles a sacred space, a temple of shared passion. Here, understanding and respecting the milonga’s rituals become imperative, not as rigid rules, but as acknowledging the collective spirit that has shaped this unique environment. It entails listening and paying heed to those who have dedicated their lives to its rhythm. While the intricacies may not immediately reveal themselves, the threads of tradition and practice weave a tapestry of profound meaning over time. To truly grasp this essence, one must think like a dancer—a realization that unfolds through the journey of becoming a dancer, a transformation that unfolds with time and dedication.

A true milonga is more than a place that merely adopts the name; it embodies a distinctive atmosphere and essence that authentically defines it.

A genuine milonga distinguishes itself not merely by name but by the substantial knowledge of its participants in the nuanced aspects of both the milonga and the dance. Much like a family or a country, the milonga operates on a set of shared understandings and traditions. As a newcomer, you are regarded with the respect accorded to a “baby” in the family, but it is essential to recognize that, akin to an immigrant in a new country, there are certain limitations as you navigate your way into the community. Understanding and accepting the milonga’s ideals is akin to showing your commitment to becoming a valued member. While incorporating your own unique traits is encouraged, there is a starting point that aligns with the collective beginning shared by everyone in the community. An actual milonga is characterized by a balance between seasoned, senior “family” members and new dancers. When a venue predominantly attracts new participants with minimal or no presence of experienced members, it deviates from the essence of a genuine milonga. Unlike an unrestricted playground where anything goes, a milonga is a structured space where the interplay of tradition, guidance, and shared experience ensures a dance environment with depth and authenticity.

Tango finds its origins in the deepest facets of human nature.

Understandably, people perceive Tango as an expression of their body’s innate movements and emotions when embracing a partner and dancing to the rhythm of their favorite music, given that Tango is rooted in the profound characteristics of human existence [1]. This perspective holds true to a certain extent. However, it’s essential to recognize that Tango transcends individual experiences; it exists beyond the confines of personal embodiment and extends beyond one’s lifetime.

If you are drawn to Tango, if you sense Tango within, if your love for Tango and its music defines you, if you embody Tango; then, unquestionably, you belong to Tango.

In the same way that belonging to a city, such as San Francisco, California, instills a sense of pride in being able to guide a visitor through its streets, not knowing the names of those streets would cast doubt on your connection to the city. Imagine suddenly discovering you belong to a family you never knew existed. At any age, the desire to learn about this newfound family becomes a fundamental aspect of understanding your identity. Delving into its origins and exploring the complete genealogy becomes a natural and important curiosity, wouldn’t it? If you visit Paris, fall in love with the city, and choose to make it your home, mere knowledge of your address wouldn’t likely suffice. Your satisfaction would stem from exploring the city’s rich tapestry, delving into its culture, landmarks, and diverse experiences. Living in Paris would likely inspire a desire to embrace the entirety of the city, far beyond the confines of your home address. Imagine discovering Tango, perhaps through a mesmerizing performance that ignites a desire within you, a silent proclamation of “I want to do that.” Reflecting on what captivated you, was it the attire, the dance moves, the music, the attitudes, or perhaps a combination of these elements? Intrigued, you decide to take a class. A good Tango class introduces you to the fundamental components: basic moves, insights into rhythm, posture, the embrace, and even a glimpse into Tango’s rich history. Without at least a touch of these elements, you might find yourself seeking another class offering a more comprehensive introduction to the captivating world of Tango.

A genuine teacher imparts the art of dancing Tango in a manner reflective of how it is elegantly performed in the most authentic milongas of Buenos Aires.

An authentic teacher not only instructs you in the dance of Tango as it is gracefully performed in the most genuine milongas of Buenos Aires but also possesses the ability to transmit this knowledge through personal experience. To effectively convey the intricacies, the teacher engages in the practice themselves—dancing in the milongas, being an integral part of the Tango family, understanding the nuanced geography of Tango, all stemming from a profound love for the dance form. To truly understand and experience authentic Tango, the journey often leads to Buenos Aires. Yet, even within this city, finding the genuine heart of Tango can be challenging. The abundance of events labeled as milongas may not necessarily embody the true essence. Navigating this intricate dance world is best achieved with guidance from someone deeply rooted in the Tango realm, someone who belongs to it. You won’t be the first or the only one seeking this path; everyone in the milonga embarked on a similar journey, guided into the realm of Tango by those who understood its intricacies. You would be delighted to learn about the History of Tango! While the joy of dancing Tango indeed offers a unique escape into the present, understanding its historical roots enriches the experience, connecting us to the shared moments of all those who have danced Tango in the past. It’s a beautiful reminder that the “present” in Tango is a continuum, weaving together the threads of time and shared passion. In the era when Tango reigned as the most popular activity in Buenos Aires, stepping into a milonga for the first time was a significant and ceremonial event. Typically, you would be accompanied by a seasoned regular, often a relative, making the analogy to a family gathering quite fitting. Prior to your inaugural milonga experience, extensive preparation would take place at home, in the social club of your neighborhood, and during family gatherings with relatives and friends. This meticulous groundwork ensured that your introduction to the dance floor was not only seamless but also steeped in the cultural and social nuances of Tango.

The role of a Tango instructor extends beyond teaching dance steps.

The role of a Tango instructor extends beyond teaching dance steps; it encompasses the task of integrating a new student into the rich and nuanced world of the milonga. This involves not only imparting technical skills but also fostering an understanding of the cultural, social, and historical dimensions that make Tango a holistic and immersive experience. Indeed, while the primary task of a Tango instructor is to introduce students to the milonga, some inadvertently guide their students towards group integration without emphasizing the development of individuality in the milongas. This can lead to a dynamic where students become assistants in the organization of their teachers’ classes and events, remaining connected to Tango in an indirect manner. A comprehensive Tango education should encourage both group cohesion and the blossoming of individual expression within the vibrant tapestry of the milonga. Groups authenticate each of its members. As a teen, with my friends, we once got into a very popular quinceañera party where nobody knew us. A few of us climbed onto the club’s roof where the party was taking place and entered through the bathroom window. Once inside, unnoticed, we took place at a table with empty chairs close to the door. The rest started to enter through the door, and we greeted them. That was enough to let them in. We authenticate them, so they were authenticated by the group members as belonging to the whole group. My experience at the quinceañera party vividly illustrates the concept that groups can serve as authenticators for their members. By integrating yourselves into the group unnoticed and then greeting others as they entered, you effectively signaled to the rest of the group that these individuals belonged. In this way, the group served as a social authentication mechanism, affirming the membership of those greeted by its existing members. This phenomenon underscores the social dynamics at play within groups, where shared identity and acceptance are key elements. The story takes an unexpected turn with the misbehavior of some boys in the group, resulting in cake-throwing that unfortunately reached the quinceañera’s dress. Such antics understandably drew the attention of the adults, leading to the discovery of the outsiders. The consequence was expulsion from the party. Had the group maintained more moderate behavior, it’s plausible that we could have integrated into the wider community of the quinceañera party, possibly staying until the end and making new friends. The deviation from expected norms, exemplified by the cake-throwing incident, played a crucial role in maintaining a distinction between your small, closed group and the larger community. It highlights the delicate balance between conformity and acceptance within social gatherings.

Tango holds significant importance in your life.

I have deliberately chosen within the Tango community the oldest individuals who began dancing Tango during their teenage or even childhood years, with no aspirations for it to become a profession. For these individuals, Tango held profound significance as it was an integral part of the collective life in Buenos Aires, Montevideo, and Rosario. Born between 1920 (Roberto Segarra) and 1944 (Ricardo “Tito” Franquelo),(Roberto Segarra) and 1944 (Ricardo “Tito” Franquelo)[2], these individuals viewed Tango not merely as a dance but as a vital aspect of their identity, complementing other significant elements such as football. They frequented milongas with relatives and friends, formed connections, met spouses, and later returned as couples with other befriended couples. Even during times of separation, divorce, or the loss of a partner, they found solace in returning to the milongas. The milongas, therefore, serve as recorded reflections of their rich and multifaceted lives. At the time of this writing, these individuals exuded exceptional wisdom, evident in their demeanor, dance style, conversations, interactions, handshakes, and embraces. Their unique power emanated from the awareness that the days ahead were outnumbered by those behind, fostering a fearlessness in their sincerity. In each dance move, word, and gesture, they invested everything, authentically and without the need for pretense. This honesty was a particular privilege, as Tango, especially within the proximity of a close embrace, inherently demands truthfulness. Furthermore, their status as non-professional dancers exempted them from the need to feign amiability for business purposes, allowing them to engage in a natural and honest way.

Appreciating these subtleties indeed requires a certain level of education and sensitivity.

Appreciating these subtleties indeed requires a certain level of education and sensitivity. Not everyone might inherently notice these nuances, and guidance or exposure can significantly contribute to developing an understanding of the intricacies involved. Life experiences, the cultural backdrop in which one grows up, and personal sensitivities all play roles in shaping this awareness. Those fortunate enough to have familial roots intertwined with Tango may have an early foundation, but for others, formal education or exposure through various channels, such as classes and private lessons with great Maestros, becomes a valuable means to cultivate the sensitivity needed to perceive the depth and richness of Tango and its associated subtleties. Certainly, the essence of regularly attending milongas lies in the profound appreciation for the music and the dance itself. For a dedicated dancer, the aesthetic experience of moving to good music alongside skillful partners is paramount. While the ambiance, lighting, and other elements contribute to the overall experience, the core attraction remains the quality of the music and the expertise of fellow dancers. Choosing a milonga based on these primary factors reflects a commitment to the genuine joy and fulfillment found in the art of dancing. Absolutely, while the social aspects, meeting new people, and enjoying a vibrant crowd can be part of the overall experience, the essence of the Tango experience lies in the deep appreciation of its aesthetics and the dance itself. The unique beauty of Tango, both in its music and the intricate movements shared between partners, creates a distinctive atmosphere that goes beyond mere social interaction. Focusing on the core elements of Tango, its aesthetics, and the art of the dance allows enthusiasts to tap into the rich and fulfilling essence of this unique cultural expression. Your level of commitment, understanding of the art, and sensitivity to Tango contribute significantly to the overall atmosphere of the milonga. This parallels the experience of attending a concert where the appreciation for the music varies between those well-versed in the genre and those less educated in it. In the participative nature of a milonga, you’re not merely an audience member; you play an active role in shaping the collective experience. Your commitment and engagement, both in understanding the nuances of the music and dance and in actively participating, influence and enhance the overall dynamics of the event for everyone involved. Dance, particularly Tango, is an expression of beauty that transcends the purely visual. While we initially discover Tango through our eyes, its visual components are more than surface aesthetics—they are manifestations of internal mechanisms underpinning its essence. Constructing your dance from a solely visual perspective would be a misstep; instead, the visual beauty in Tango emerges as the culmination of these internal dynamics. What we see in Tango is the radiant outcome, the glow that emanates from the intricate interplay of its inherent elements. Tango is a profound kinetic experience, engaging us through the sensual aspects of the sensations elicited by the movements of our body and our partner’s body. Simultaneously, it is an auditory journey, where Tango music serves as a guiding force, directing the way we move in connection to our partner. The dance and the music intertwine to create a multisensory exploration, enhancing the richness of the Tango experience.

It is not Tango if you dance with the goal to be seen.

True Tango is not about dancing with the primary goal of being seen; rather, it’s a dance where seeing is important as a guide. Observing couples on the dance floor at milongas, the true essence of Tango becomes apparent when a pair dances for each other. Their movements align with the music, and they show respect for everyone around them, maintain good posture, and let the dance unfold effortlessly, without excessive force or contrived steps. The authenticity of Tango shines through when the connection between the partners and the music takes precedence over external appearances. Indeed, the eyes play a significant role in the non-verbal communication of Tango, particularly in the invitation to dance. The act of looking at the person you wish to dance with and patiently waiting for them to reciprocate by making eye contact creates a subtle yet powerful connection. This exchange of glances serves as a form of invitation, an unspoken dialogue that adds to the nuanced and intricate social dance of Tango.

Patience is an indispensable virtue in Tango.

A misguided approach to fostering a Tango community is providing support for reasons external to Tango itself. This can be a significant mistake as it may lower the overall quality of the dance and encourage misinterpretations. It is more beneficial to direct support towards those who actively contribute to the improvement of the dance at milongas, ensuring a commitment to the genuine art and integrity of Tango within the community.

Tango is a dance form that embodies beauty, honesty, humility, greatness, and a profound sense of reality.

There are lots of lies, misunderstandings, and misinterpretations surrounding Tango. But the truth comes out in the milongas. Remember that, for me, milonga is a very special name that I do not give to just any gathering where people play music that they believe is suitable to dance Tango, and move in a way they decided to call Tango. I aim to pass on my knowledge to those who wish to carry forward the lineage of Tango—an art that I find beautiful, honest, humble, great, and profoundly real.

Although there’s so much I could share about Tango, I believe the best way to understand it is to go dancing, just as I’m about to do now.


[1] Characteristics of a human being:  a) its unique body. b) A limited existence in time (to be born and to die). c) To be consciously aware of it. All of these three characteristics imply sexuality.

[2] According to Enriqueta Kleinman and Mónica Paz, these were, at the time of this writing, the oldest and the youngest milongueros, respectively. Roberto SegarraRicardo “Tito” Franquelo.

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All about Argentine Tango

Marcelo Solis dancing at a milonga in Buenos AiresWhen in an embrace with our partner, we find ourselves (in the beginning) in an unfamiliar situation.

Having a bigger, conjoined body, with four legs, with different levels of sensitivity among its duplicated parts, but demanding equal amounts of awareness in relation to them.

This is a situation that requires committed and engaged preparation, and lots of practice to be able to, first, become familiar with it, and then, fundamentally, to be able to poeticize it, to make an Art of what, otherwise, is a primordial nature call – the pleasure of being embraced by another human being.

This new body, which we freely agree to conform to, challenges us to abandon the comfortable, mundane refuge of our egos, demanding that we become something else that is not our “self”, but the couple dancing Tango on the dance floor at a good milonga.

This is a very freeing outcome of practicing the dance of Tango, a sense of liberation that can sometimes be disturbing, nevertheless enlightening.

There is a profound wisdom in the ability to dance Tango.

There is a profound wisdom in the ability to dance Tango. A wisdom that you acquire through training, by working on the way you hold your body, the way you move, paying precise attention to detail, developing a sense of awareness and careful respect in dealings with others at milongas, learning to passionately love the music that milongueros dance to, opening yourself up to music that expertly advises you on how to move in every beat.

This wisdom does not stop there. Milongueros, who have been dancing Tango for decades at the best milongas, who are all in Buenos Aires, who have been developing a familiarity with other milongueros, most of them older, listening to them, taking their advice, learning from them, developing a wisdom, a knowledge, which is at the very least hard, if not impossible, and would ultimately not make sense to explain in words.

It is in the dance of a milonguero where you will find his or her wisdom.

It is in the dance of a milonguero where you will find his or her wisdom. To learn to dance Tango, which is to learn all about Tango, is an unspeakable enterprise, in which words act mainly as signs that point you in the direction of what you need to see or feel.

Dancing embraced by a milonguero is where learning Tango begins. The rest is a preamble to it. That is how Tango reached our time in history, communicated from person to person through the embrace of brothers, sisters, cousins, uncles, aunts, fathers and mothers, grandparents and friends, in homes, at practicas in neighborhood clubs, where experienced dancers danced with and gave instruction and advice to newer ones.

Today, in accordance with the modalities of our present time, private lessons are the only effective way to learn to dance Tango.

Today, in accordance with the modalities of our present time, private lessons are the only effective way to learn to dance Tango, on a regular basis, at least once a week, the more the better. In group classes you learn and train the social aspects of Tango, the “códigos” of the milongas, to move among other couples on the dance floor, practice useful exercises, make friends and start to integrate yourself in the society of Tango. However, not everybody has the same goals regarding Tango, and this is something to keep in mind about group classes.

If your goal is to dance Tango, to become a milonguera or milonguero, private lessons is a must. Even for a leader, learning to lead from another leader is essential.

Eight tips to accelerate your learning of Argentine Tango

Here are my recommendations to help you reach your goal of dancing Argentine Tango:

Open your mind. While developing the dancer in yourself, you will often be wrong in your valuations. Wait, be patient, pay attention, listen, and watch. That is why you need to trust your teachers. If you like the way they dance, then study with them.

Learn to dance Argentine Tango at Escuela de Tango de Buenos AiresTip 1: Take classes regularly, and especially private lessons.

Human beings are social. Nothing happens in isolation. The “internet era” may make us believe we can do anything without addressing another human being. It is a false assumption. Behind the virtual walls of the .com enterprises, there are people.

Any activity that you engage in requires interactions with other people. The unique tools that the World Wide Web and technology, in general, provide us only work when they enhance our relationships with other humans: you need someone you care for and who at the same time cares for you.

This is what classes are: your teacher cares for you, and you care for your teacher with respect, affection, good intentions, mutual generosity, friendship, and the common shared passion for the art of Argentine Tango.

Sometimes, when you come to your first class, you may still not have developed a passion for Tango. In that case, your teacher also teaches you to appreciate and give the correct valuation to this amazing art. Argentine Tango connects you and your teacher and both of you to other students and dancers. It connects you to a culture.

In group classes, you meet others interested in learning about Argentine Tango. They are there for different reasons. What is yours? If your goal is to become a dancer, to integrate yourself and the art of Argentine Tango in a new version of yourself, to be transformed, to make of yourself a work of art, to become a better you, in sum: to be a milonguera or milonguero, you will need to take private lessons. The sooner you take this step, the better.

Group classes are very useful as long as you also combine them with private lessons.

Group classes are beneficial if you combine them with private lessons. In the group class, you will learn about the social aspects of Argentine Tango; you will develop relationships that may help you to experience your first milongas and find friendship, sympathy, and understanding from other people in the same situation.

During private lessons, you can have direct input from an expert on the details that will improve you as a dancer. You are on the right path if you can dance with your teacher during most of the class. The best way, and maybe the only way, to incorporate the many nuanced layers of Argentine Tango is to dance with an experienced milonguero in a private lesson and do it regularly for an extended period. It would be best if you were consistent and constant in your development as a dancer. Avoid gaps and interruptions in your private lessons. Once a week is a minimum you will need to engage in to see results, but two sessions of two hours each every week is optimal.

Words are sometimes not only unnecessary but could also get in the way. As well as the best way to learn a language is to talk in this language with a native speaker who is your teacher and who reveals to you the sparks of culture and everyday life present in the words and the grammar of that language, Argentine Tango, which could be partially compared to a language, will be best revealed to you by dancing with an expert dancer in a private lesson setting, where there is time and space to stop when necessary and direct your and your teacher’s attention to what needs it the most.

In a private lesson, words and explanations will appear when necessary to answer your questions and learn to see Argentine Tango from the point of view of your teacher, who has been involved in it much longer than you, has been dancing at milongas for a long time, and is recognized among his peers from Buenos Aires.

Dancing with your teacher is priceless.

Dancing with your teacher, if he is knowledgeable, reliable, and recognized among his milonguero peers, is priceless and the only way to become an authentic Argentine Tango dancer, a milonguera or milonguero.

Tip 2: Think about Tango. Review details in your mind that are important and make a difference.

You need to integrate movements, attitudes, ideas and emotions into your whole life. That is the way of Argentine Tango.

In every class and private lesson, there will be elements learned: posture, walking to the cadence of Argentine Tango music, connection to your partner through the couple’s axis, pivots, ochos, turns, etc.; details pointed out by your teacher: not leaning back, gazing forward and parallel to the floor, touching the floor with the inside edge of your shoe, maintaining your weight on one or both feet, etc.; remarks regarding Argentine Tango music: instrumentation, rhythm, nomenclature, etc.; social aspects of Argentine Tango: line of dance, cabeceo, entering the dance floor, tandas, etc.; the embrace, the way you hold your partner, and many other pieces of information that your teacher shares with you regarding what Argentine Tango is and what dancing means in general.

Review all this in your mind. Integrating these movements, attitudes, ideas, and emotions into your life would be best. That is the way of Argentine Tango.

Tip 3: Practice every day. You do not need to set a time or commit to long practice sessions. Even a little is good. Anytime, all the time: Tango is Life.

Argentine Tango, when danced well, looks spontaneous.

Argentine Tango, when danced well, looks spontaneous. Such a characteristic is achieved only after lots of practice integrated into your life in a way that does not need to be separated from your everyday activities, from the life that you live every day: your work and profession, your family, your friends, your outings, your workout, etc.

In Buenos Aires, I practiced my moves while waiting for the bus. A student who went to the same gym I used to go to used to practice all her tango moves on the treadmill. My grandparents danced in the kitchen when my grandma cooked dinner and the radio played a tango they liked. You have infinite opportunities to practice Argentine Tango.

Tip 4: Listen to music from orchestras of the Golden Era. Those recordings have the cadence that you need to incorporate into your moves. Get to know the songs and become familiar with them.

If you know the music very well, you will be at home in Argentine Tango.

Your goal with learning to dance Argentine Tango is to become a milonguero or milonguero, a person to which dancing Argentine Tango is the spinal cord of their life.

You will regularly go to milongas, preferably in Buenos Aires, to the milongas that care about the “codigos”, the nuances in the social aspects of Argentine Tango, which enhance and promote the excellence of the dance.

In the milongas, where quality dancing is the standard, a common element among all the participants is the knowledge of the music. If you know the music very well, you will be at home.

Develop your library of Argentine Tango music and create your playlists, ordering the songs by orchestras, by date of recording, by musicians integrated into these orchestras, by singers, by rhythm, etc. A good exercise is to create a playlist for a milonga. This will challenge you to listen, acquire, and research each song.

Tip 5: You are passionate about Tango. This passion is what fuels your growth as a dancer. Focus and direct this passion efficiently.

You dance Argentine Tango to become a better example of a human being.

Sometimes, dancing Argentine Tango is regarded as an addiction. That’s not correct. Argentine Tango, as art, as wisdom, is a way for you to become stronger, wiser, more aware, and more present. You dance Argentine Tango to become a better example of a human being.

Like a tool, the results depend on how you handle it. Take care of yourself, as well as take care of Argentine Tango, its past, and its future. You can consider Argentine Tango your home. Be conscious of the way you dispose of it and of the people who share their love for Argentine Tango with you.

Tip 6: Choose your teachers wisely. Search for the roots of this art.

Keep in mind that you come to class to be educated about Argentine Tango, and not to learn steps.

First, you will need to gather information about Argentine Tango and the instructors in your area.

You may need to go and take some classes with them. Do not ask to observe the class for free. If you watch the class and do not participate, you will still learn, so be respectful and appreciative and at least pay for that class. But also, you won’t know much about this teacher in one class, and less if you do not risk putting yourself in there. Remember: what do you know about Argentine Tango? Tango takes many years, even decades, to be understood.

Choose your teacher based on whether you like how they dance because it awakens indescribable emotions that say: “I want to dance like that!”

Always remember that you come to class to be educated about Argentine Tango, not to learn steps. This should shape your attitude towards the class and what you demand from your teacher.

Tip 7: Go to milongas. You do not need to dance. Start going as soon as possible. Become part of the milonga and then dance.

When the time comes, you will feel ready to dance.

Milongas are a wonderful place, full of positive emotions and attitudes when the crowd is committed to good dancing. Listening to beautiful music, having pleasant conversations, and watching inspiring dancing are all excellent reasons to be at milongas, even if you don’t dance.

When the time comes, you will feel ready to dance. You should not feel any pressure. You are at a party surrounded by good friends. It’s not the same experience if you go to milongas and force yourself to dance surrounded by strangers.

Tip 8: Go to Buenos Aires. See what Tango is. You only will know it in its context.

Visit Buenos Aires guided by a milonguero.

Visit Buenos Aires guided by a milonguero. If your goal is to master the art of Argentine Tango, you will achieve a  complete comprehension of Tango only if you become recognized by the community of best dancers there, which we call “milongueros” in a general way, but who are individuals, with a name and a reputation of great dancers. Not anyone who calls himself “milonguero” is a milonguero. That is why you will need to be introduced by a member of this community.

You do not need to move to Buenos Aires. You can visit Buenos Aires often and go to the milongas where Tango is still lived as a culture, and also, fundamentally, take classes with excellent milonguero teachers, many of whom do not travel abroad, from whom you can receive essential insights into the dance, its history, its philosophy and way of life.

We are missing more and more of these milongueras and milongueros forever due to the natural course of life. It is our last chance. If you care, come to Buenos Aires, seize your opportunity to meet them and take lessons from them, go to the milongas they go to, watch them dance and how they behave, and talk to them. Perhaps one day, you will pass all these insights on to a future generation of milongueros.

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Conclusion

Argentine Tango is a way of life by which you make a work of art of yourself and your life, sharing the beauty you create with other like-minded people in a community that cares about you but does not demand anything from you other than being a good dancer.

Tango is a manifestation of what human kind can achieve.

Authentic milongueros, those who love Tango and have dedicated their lives to this art in such an integrated way that Tango is a synonym for life, will look at you with sadness if you take Tango superficially, as mere entertainment, as a distraction because Tango is, in essence, a way to take hold of your life, to be responsible for yourself and for your peers, and for Tango itself, as a manifestation of what humankind can achieve.

TANGO IS A WAY OF LIFE.

Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Navigating the Argentine Tango Milonga Scene: A Beginner’s Guide

Marcelo Solis in red suit dancing Argentine Tango with a blond lady at a milonga in Buenos Aires with Blas Catrenau dancing in the background.

So, you’ve heard about milongas and are eager to join in on the dance floor.

But what exactly do you need to be able to go to these vibrant gatherings of Argentine Tango enthusiasts?

Let me break it down for you.

First and foremost, having basic social skills is key. Just like attending any other social event, you want to present yourself in a friendly and approachable manner. Make sure you’re clean and well-dressed, and be mindful of how you interact with others – whether it’s formal or informal depends on your relationship with each person.

If you’re new to the milonga scene, it’s a good idea to get an invite from someone who’s a regular attendee. This can serve as your bridge into the community and help you integrate more smoothly.

One way to find connections to milongas is through your tango classes. Fellow students who have been attending milongas can often introduce you to the scene.

And if you’re taking private lessons, your instructor can be your gateway to the milonga world. In fact, preparing students for the milonga experience is a primary goal of many Argentine Tango instructors.

Now, don’t feel pressured to dance right away when you attend your first milongas. It’s perfectly okay to just observe and soak in the atmosphere. Remember, the main purpose of a milonga is to facilitate the dance of Argentine Tango among its participants, but this happens naturally as part of the socialization process.

Dancing at milongas should be a choice made freely, without any sense of obligation. So, be considerate of others and never make anyone feel compelled to dance with you. Keep in mind that the beauty of tango lies in its freedom, and dancing under the weight of obligation simply isn’t authentic.

In conclusion, to thrive in the milonga scene, focus on building your social skills, make connections through classes or acquaintances, and always approach the dance floor with a sense of freedom and respect for others. With these principles in mind, you’ll be ready to immerse yourself in the captivating world of Argentine Tango milongas.

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Exploring the Essence of Milonga

Exploring the Essence of Milonga

Argentine Tango dancing by Marcelo Solis and Mimi at Yountville, California

In contemporary language, the term “milonga” unfolds into two distinct dimensions:

  • A specific rhythm and musical genre.
  • A vibrant Tango dance gathering.

The roots of this intriguing word delve into the West African Bantu language, where “malonga” translates to “word.” “Milonga” emerges as the plural of “malonga,” signifying a collection of words.

Historical insights propose that the African community in Rio de La Plata initially employed this term in reference to the “payada,” a musical competition featuring two participants engaging in guitar play and improvised verse exchanges. The rhythm of these expressions eventually evolved into what we now recognize as the milonga rhythm.

As Tango dance emerged onto the scene, it began as a versatile partner dance adaptable to various rhythmic styles.

While the Waltz held sway during its inception, the milonga rhythm seamlessly integrated into Tango’s dance technique, proving an ideal match. Over time, “milonga” not only encapsulated the rhythm but also became synonymous with the gathering and venue where this distinctive dance form flourished. The word “Tango” was initially a synonym of “milonga”, and they later became the name of two differentiated rhythms. Tango dance parties and the location where it is danced kept the name “milonga”, as well as its crowd of participants, “milongueros”.

For over 130 years, milongas, meaning Tango dance parties, have thrived. Throughout this enduring legacy, milongas have crafted a unique set of codes, fostering efficiency and creating an environment conducive to the emergence of exceptional dancers. This cultural phenomenon remains a cherished gem, weaving its narrative through time.

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