Saturday, May 19: INTENSIVE WORKSHOP

@ Susan’s Dance Studio, 2146 Ringwood Ave, San Jose. 3 to 5pm. $25. Thorough and fast paced two-hours work on all aspects of tango that make you a better dancer — from basic concepts to specific elements. Personal approach to each student, attention to details. Suitable for all levels. The studio is a conveniently located dance space with great floors and mirrored walls, which is currently a venue for our monthly As in Buenos Aires milonga.

CLASS PROGRAM: May 19: Cross system sacadas, change of system, parallel system sacadas and combinations.

Walnut Creek New Series Starts May 10

Thursday next series starts on May 10. Please register in advance at Walnut Creek Recreational Services, 925.943.5858 or on line clicking here. 6:30 pm: Latin Rhythms & Salsa class, for those who want to experience Salsa and any Latin Dance. Learn how to move your body, hips, and feet. We will cover techniques for posture and smooth movement. Detailed instruction will allow you to lead or follow to any type of Latin rhythm. Great tips and lots of fun. 7:30 pm: Beginners Tango class. In this class the students acquire all necessary elements to get started on the right foot as social dancers. Introduction of lead and follow concept, connection with the partner and the floor, understanding of music, basics of social etiquette and navigation in the context of Argentine Tango. 8:30 pm: Intermediate Tango class on technique & musicality. For students who can lead and follow comfortably in the embrace, circulate around the floor on the line of dance, make turns, pauses and other necessary maneuvers, and are familiar with tango music. This class dedicates more detailed attention to all the elements, in order to take your dancing to the next level. Where: Social Hall, 1375 Civic Dr, Walnut Creek. $39 for 4 classes.

Classes program:

Latin Rhythms: Class 1: Merengue and basics of Latin rhythm, footwork, hip, torso, arms and hands. Class 2: Review of class 1, connection to your partner, turns, cumbia rhythm and footwork. Class 3: Review of class 2, cumbia moves and introduction to salsa rhythm and footwork. Class 4: Review of class 3, salsa moves, turns and counter turns.

Beginners Tango: Class 1: Music, posture and walk. Class 2: Review of class 1, connection between partners. Class 3: Previous classes review, circular movements. Class 4: Previous classes review, rhythmic variations of walking, back ochos.

Intermediates Tango: CLICK HERE to see program.

Milonga “As in Buenos Aires”

SATURDAY, June 9 @ Susan’s Dance Studio, 2146 Ringwood Ave, San Jose. Escuela de Tango de Buenos Aires and Marcelo Solis present: Milonga “As in Buenos Aires”. This milonga has all the flavors of the most prominent milongas in Buenos Aires. At the door you will be greeted and assigned a sitting spot in one of the tables organized around a magnificent dance floor.  Cabeceo is observed and encouraged by the dancers at this milonga.  If you come as a couple please let our staff know if you prefer to sit in the row of leaders or followers to practice cabeceo or stay together at the same table. Our DJ, Marcelo Solis, starts playing the best Tango music to dance to at 8:30 pm.  You are welcome to make reservations for this event by clicking HERE. The entrance fee is only $10. Please feel free to contact us with and questions or comments about this event.

Semi-Private Lessons

RESTARTING on April 25 , 2012 at 7:30 pm

Receive personalized attention on your dancing skills at a fraction of the cost. The semi-private lessons are designed for intermediate Tango dancers that want personalized attention and feedback on their dancing. Basic to advanced topics will be covered. Wednesdays at Café Florida. 710 Florida Street, San Francisco. No partner needed. Space is limited. Reservations are required.

Cost: Single dancer $40 per class or $120 four class series. Couples $60 per class or $190 four classes series. This series starts on April 25 and ends in May 16. Participants are welcome to take 4 classes on these dates and stay for the Milonga at no extra charge. Please contact me for information and reservations or sign up here:

    • One Semi-Private class:
Please choose single or couple

 

  • 4 Semi-Private classes series:

    Please choose single or couple

BAD & GOOD TANGO DANCER

The following are my answers to a questionnaire from the Institute of Transpersonal Psychology of Palo Alto, made in 2011.

1. What qualities characterize a good Argentine tango leader during the dance? MS: Secure, precise, smooth, gentle, patient, adaptable, smart, elegant, musical, respectful, protective, spontaneous, unintentional, efficient and aware.

2. What qualities characterize a poor Argentine tango leader during the dance? MS: Insecure, imprecise, rough, impatient, rigid and single minded, silly, ignorant of the music, disrespectful, intentional, calculative and unaware.

3. What behaviors and attitudes are demonstrated by a good Argentine tango leader? MS: Asking to dance according to the etiquette, entering the floor acknowledging others, following the line of dance, listening to the music and knowing it well (knowing the song, the orchestra, the singer, the year of the recording, etc.), letting the dance just happen rather than trying moves and steps, not talking or chatting while dancing, talking nicely between songs, at the end of the tanda accompanying his partner back to her place, not insisting on a second tanda.

4. What behaviors and attitudes are demonstrated by a poor Argentine tango leader? MS: Asking to dance in an inappropriate way making the other person feel obliged, entering the dance floor at any time and place without acknowledging other dancers, not following the line of dance, not listening to music, not caring to learn about it, trying to do moves and steps, talking while dancing, being mean to his partner, correcting or teaching her, leaving his partner on the dance floor at the end of the tanda or insisting on another tanda.

5. What behaviors and attitudes are demonstrated by a good Argentine tango follower? MS: Listening to music, knowing it well, waiting for the lead but also dancing (not just following), being present in the moment like someone who takes a challenge, being patient.

6. What behaviors and attitudes are demonstrated by a poor Argentine tango follower? MS: Not caring about music, moving by herself without waiting for the lead or just plain following without any life in the moves, being absent minded (for example, thinking about the next leader she wants to dance with), impatient, asking you to dance or making you to feel obliged to dance with her.

7. What qualities characterize a good Argentine tango follower? MS: She really likes the music and knows it well, she is elegant, natural, and spontaneous.

8. What qualities characterize a poor Argentine tango follower? MS: Does not care about music, is exaggerated and calculative.

9. By what criteria do you judge a good dance? In other words, how do you know when you have experienced a good dance? MS: A good dance is when everything happens without any intention.

10. How do you know when you have had a bad dance? MS: I never had a bad dance. If it is not going to be good, I know it beforehand, so I pass.

11. As a teacher who has many opportunities to observe couples, what do you look for—or what do you see—in a good dance? MS: No intention.

12. What do you see in a bad dance? MS: The dancers try too hard.