Every situation in life is a Tango lesson.
This will be your goal: Dance your best!
Let’s start with walking, change of weight, and listening to the music.
Singer and lyricist (25 January 1917 – 1999)
His best period was when he sang with Rodolfo Biagi, an orchestra that had its followers but which was not among the most acclaimed.
However, by listening to his recordings, we can appraise his baritone range with tenor-like overtones and the balance with which he collocated his voice that, despite its strength, achieved a gentle and delicate result.
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Pianist, leader and composer (7 January 1903 – 12 January 1960)
There were no instrumental solos in his orchestral scheme, and the bandoneon section sometimes sang the melody, but it had an essentially rhythmic and danceable role.
He was a talented pianist, maybe one of the most important, who conducted his orchestra from his instrument, with which he mastered the outfit’s synchrony and performance.
Only the violin was showcased extremely delicately on a brief solo or a counter melody.
“Milonguero viejo (Fresedo)”, the tango he dedicated to Osvaldo Fresedo, his referent and admired friend, is curiously the paradoxical lapsus that portrays his own musical model.
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Jorge Kero, a great milonguero from Buenos Aires, showing off his “milonga traspié” characteristic style.