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Argentine Tango School

Tag: dancing

“Viborita” by Francisco Lomuto y su Orquesta Típica, 1944.

“Viborita” by Francisco Lomuto y su Orquesta Típica, 1944.

Eduardo Arolas

Bandoneonist, composer and leader (24 February 1892 – 29 September 1924)

“Viborita” is another of Arolas’ delicate tangos, with the peculiarity of having only two parts, without a trio, as was his custom.

Recorded in 1920 for the first time by the Orquesta Típica Select of Osvaldo Fresedo.

Its music sheet was not published until after 1930, when the nephew of Arolas received a pack with manuscripts.

That is why it appears to be published as posthumous work.

A wonderful rendition of this tango to dance at the milongas is the one recorded by Francisco Lomuto in 1944.

Read more about Eduardo Arolas and the History of Tango

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We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

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“El andariego” by Alfredo Gobbi y su Orquesta Típica, 1951.

Alfredo Gobbi. Argentine music at Escuela de Tango de Buenos Aires.Alfredo Gobbi

Violinist, leader, and composer
(May 14, 1912 – May 21, 1965)

Unequalled name, with more than six decades of unaltered force throughout two generations, is Alfredo Gobbi’s.

When that indefatigable pioneer of the difficult beginnings of the Tango conquest, called D. Alfredo Eusebio Gobbi, culminated his long artistic performing career, his son, Alfredo Gobbi as well, was sticking out towards consecration as the proper continuer of an illustrious popular artistic tradition of ours.

He dedicated this tango to his father. Continue reading at www.todotango.com.

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“El abrojito” by Osvaldo Pugliese y su Orquesta Típica with Alberto Morán in vocals, 1945.

Osvaldo Pugliese with Alberto Morán. Argentine music. Escuela de Tango de Buenos Aires. Dance classes.Alberto Morán

Singer
(15 March 1922 – 16 August 1997)

He was Italian and born in Strevi, a city near Milano. He arrived in Argentina at four, finally settling in Buenos Aires.

He began to sing in a neighborhood group and soon entered a second-line orchestra with some success. The bandoneon player Cristóbal Herreros led it, and he performed at the café El Nacional with him.

The young singer attracted the attention of the maestro Osvaldo Pugliese, who asked some of his musicians to listen to this singer for their opinion.

Finally, Pugliese took him to Radio El Mundo for an audition, after which he hired him while, at the same time, he advised him to use more his mezza voce.

Morán, like many other singers, never studied either music or singing, which added to his impassioned style and unconventional way of life, making him risk his voice to such an extreme that his voice declined very early.

Continue reading at www.todotango.com…

“Indiferencia” by Rodolfo Biagi y su Orquesta Típica with Jorge Ortiz in vocals, 1942.

Rodolfo Biagi. Argentine music at Escuela de Tango de Buenos AiresRodolfo Biagi

Pianist, composer and leader
(14 March 1906 – 24 September 1969)

Gardel invited him to a tour of Spain but Biagi did not accept; he then joined the Juan Bautista Guido orchestra, later he was member of the orchestra of Juan Canaro, there he met Juan Carlos Thorry with whom he composed the tango “Indiferencia”. Continue reading at www.todotango.com…

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“Como has cambiado pebeta” by Enrique Rodriguez y su Orquesta Típica, with Armando Moreno in vocals, 1942.

Enrique Rodríguez

Bandoneon player, leader, and composer.
(March 8, 1901 – September 4, 1971)

His style was a breakthrough for the groups of the period because he played all kinds of genres and introduced miscellaneous instruments. However, always assorted, his repertoire only included merry or romantic tunes.
But when he played Tango, you heard the brilliant sound of a well-rehearsed orchestra with excellent simple arrangements and outstanding vocalists. Continue reading at www.todotango.com…

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