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Argentine Tango School

“La Cumparsita” by Juan D’Arienzo y su Orquesta Típica, 1963.

La Cumparsita. Argentine Tango.The six Juan D’Arienzo renditions, between 1928 and 1971, are different,

but the one recorded on December 10, 1963 stands out,

because it is the one with most drive and most polished. Continue reading at www.todotango.com…

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“Lorenzo” by Francisco Canaro y su Orquesta Típica, 1927.

“Lorenzo” by Francisco Canaro y su Orquesta Típica, 1927.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

His last performances were in the giant orchestra that Francisco Canaro convened for the carnivals of 1921.

On this occasion, however, Bardi refused to Canaro’s invitation to premiere his tango compositions, claiming that he did not compose carnival tangos, nor was he interested in its diffusion under such circumstances.

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“C.T.V.” by Anibal Troilo y su Orquesta Típica, 1942.

“C.T.V.” by Anibal Troilo y su Orquesta Típica, 1942.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

In 1937, Bardi regularly attended the Germinal café on Corrientes Street to listen to the brand-new Anibal Troilo orchestra, and used to exclaim with sincere admiration:

“We would not have been able to play like that!”

Let’s hear the rendition of “C.T.V.” recorded by Anibal Troilo y su Orquesta Típica:

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“Gallo ciego” by Julio De Caro y su Sexteto Típico, 1927.

“Gallo ciego” by Julio De Caro y su Sexteto Típico, 1927.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

Bardi regularly attended the presentations of the Julio de Caro’s sextet.

He confessed to experiencing immense spiritual joy every time he listened to some of his compositions through what he so happily called

“the great interpretative creations of the Julio De Caro’s orchestra.”

Let’s listen to “Gallo Ciego” by Julio De Caro y su Sexteto Típico:

Read more abut Agustín Bardi and the History of Tango

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“Se han sentado las carretas” by Francisco Lomuto y su Orquesta Típica with Fernando Díaz and Jorge Omar in vocals, 1939.

“Se han sentado las carretas” by Francisco Lomuto y su Orquesta Típica with Fernando Díaz and Jorge Omar in vocals, 1939.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

Bardi felt Tango with a countryside essence, as if it were a transplant of the traditionally Argentine gaucho sensitivity to the music of Tango, which is the most representative sentimental manifestation of the city.

Such is the case of “Se han sentado las carretas”.

Bardi’s works always retain freshness and strength, reaching ever greater attraction in their audiences for the beauty and authenticity of their content.

Read more about Agustín Bardi and the History of Tango

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