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Argentine Tango School

Argentine Tango performances with Maria Olivera

Argentine Tango performances with Maria Olivera



It was a pleasure and honor to perform with great Maestra and milonguera from Buenos Aires María Olivera.

Thank you, Maria Olivera and the organizers of Sunnyvale Moose Lodge Milonga.

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Argentine Tango waltz dancing with Mimi at Milonga Parakultural Salón Canning

Argentine Tango waltz dancing with Mimi at Milonga Parakultural Salón Canning

Being a good dancer implies a search for greater balance, control, and ease in your movements, both physically and spiritually.

Dancing leads to a greater awareness of your own body.

This has repercussions on a concern to develop increasingly healthy habits and thus develop a more balanced relationship with the people around you and yourself.

Dancing means getting to know yourself and people in general better.

Dancing Argentine Tango is continually learning to see life from the perspective of a person who dances.

Dancing Argentine Tango is dancing your life.

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Marcelo Solis dancing Argentine Tango with Mimi at Escuela de Tango de Buenos Aires virtual classes.

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Argentine Tango dancing with Mimi at Milonga Parakultural Salón Canning 1

Argentine Tango dancing with Mimi at Milonga Parakultural Salón Canning 1

Interview by Andrea Barron, a college student in Edinburg, TX, at the University of Texas Rio Grande Valley.

  • First and Foremost, Where are you from? Why do you teach Argentinian Tango?

I was born in Argentina. Tango has been part of my life since my childhood. I became an excellent Argentine Tango dancer, and since teaching is a natural skill, I became an Argentine Tango teacher.

  • How did you come across this dance style? How long have you been practicing this style of dance?

As I mentioned, I grew up in an environment where Argentine Tango is always present. Therefore, I started formal learning of the Argentine Tango in 1984.

  • What does Argentinian Tango mean to you? Does it play an essential role in your culture?

Argentine Tango means to me, the highest wisdom you can achieve. I understand Argentine Tango as a practice that helps me improve in all aspects of being human.

  • Do you know the origins of the Argentinian Tango?

The origins of Argentine Tango are highly debated. However, we are confident that it developed in the marginalized sectors of the populations inhabiting Buenos Aires and other urban conglomerates in the Rio de la Plata area during the second half of the 1800s.

  • I understand that you teach Argentinian Tango in the United States; how do you preserve the authenticity of this dance style while introducing it in a different country?

I travel back to my country very often, visit and take classes with my teachers and friends, and dance at the milongas (Tango dance parties) in Buenos Aires to maintain a solid connection to the roots of Argentine Tango.

  • There are eight known styles of Tango, such as Ballroom Tango and Tango Nuevo, to name a few. So how does the Argentinian Tango differ from other types of Tango? This could refer to culture, movement, maybe both, or any other differences that you may think of.

Argentine Tango differs from other dances in the fact that Argentine Tango is a way of life, an approach to existence. In that sense, Argentine Tango is the purest form of dancing. It makes you see life from the point of view of being a dancer.

  • In Argentinian Tango, do performers create any contact or communication with their audience? This could pertain to touch; it can be done vocally or through eye contact.

When you perform Argentine Tango, you dance in the same way that you dance in the milongas (social Tango dance parties): you connect with your partner to form a kind of subjectivity that is of the body of both partners becoming one. From there, you become aware of the surrounding world and adapt your dance to either performance or social dancing situations.

  • What dress wear do dancers wear while performing this style of dance?

I like to dress up, like going to a formal party to teach, dance, socialize, and perform.

  • I am entirely unfamiliar with the Argentinian Tango. To be trained in this dance style, what advice can you provide for beginners before jumping into practices?

My advice to beginners is this: enjoy the pleasure of dancing. Your curiosity will take you to deepen your knowledge of Argentine Tango step by step.

  • Is it challenging to develop the lines of an Argentinian Dancer? How long does it take for a dancer to adapt to the Argentinian Tango’s movement style physically? In ballet, dancers must maintain a straight, strong back and execute graceful motions. In addition, modern dancers are taught to utilize the curvature of the spine and to remain grounded with their movements. Regarding the physical display of the Argentinian Tango, are there any essential tips you can provide for us?

Argentine Tango is infinite. You can continually improve. If you feel you have nothing to improve, you are dead as a dancer. You must train Argentine Tango as a fighter. It would be best if you were solid, versatile, adaptable, and secure. Whatever you achieve with your body implies a spiritual transformation.

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Marcelo Solis dancing Argentine Tango with Mimi at Escuela de Tango de Buenos Aires virtual classes.

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Argentine Tango dancing with Mimi at Milonga Gente Amiga

Argentine Tango dancing with Mimi at Milonga Gente Amiga

Empower yourself, nurture your creativity, explore and achieve a greater awareness by dancing Argentine Tango.

Find your style and a way of life so you can express yourself with freedom and elegance and enjoy the beautiful art of dancing.

Live to the fullest.

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Marcelo Solis dancing Argentine Tango with Mimi at Escuela de Tango de Buenos Aires virtual classes.

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Dancing Argentine Tango: A Philosophy of Life and the Art of Being Human

Dancing Argentine Tango: A Philosophy of Life and the Art of Being Human

Marcelo Solis dancing Argentine Tango with Mimi

To truly dance, one must live as a dancer lives.
By this, I do not mean dedicating oneself to dance as a profession. I wish to elucidate this idea through the following comparison:
 
If I were fond of riding a bicycle, I would require a well-crafted bicycle manufactured in a factory. It would be ready for me, with its tires inflated and its chain perfectly oiled, as soon as I hopped on and began pedaling.
 
The body and soul of a dancer are akin to this bicycle. Similar to how crafting a bicycle from scratch to ride it would be arduous, attempting to dance with an unconditioned, untrained, and unprepared body is equally challenging. Essentially, my body must be ‘manufactured’ beforehand, conditioned, trained, and primed to dance.
 
As I cannot dance without a dancer’s body, and since I have only my body at my disposal from the moment I rise each morning, I must ensure that it is always primed for the dance floor.
 
While I believe anyone can dance at any time with minimal preparation because being human inherently involves being a being that dances, dancing Tango, in my view, demands much more in terms of subtleties, skills, perception, and awareness.

It is akin to philosophizing about the fundamental aspects of life, contemplating the value of life itself and the reasons for existence. In this contemplation, language may not always serve us best; sometimes, silence might be the most appropriate response.
 
This silence, however, is not resignation but rather a celebration. It reveals that the absence of our everyday language may not be a hindrance but rather an aid in answering the profound questions we face in our solitary moments.
 
As music, dance, culture, and a philosophy of life, Tango is more than the sum of its parts. It evokes excitement, love, meaning, and a sense of fulfillment we often dreamed of in our childhood. Perhaps it is not through exhaustive technical study, training, and the application of objective principles that we attain Tango. Instead, these endeavors only prepare the ground, nurturing it until it becomes fertile enough for us to become dancers truly.

What do we, as dancers, desire?

Perhaps it is to transcend the limitations of our bodies and embrace the joy of movement fully. Happiness, rather than an end in itself, could be seen as a tool for a life imbued with purpose and meaning.
 
Understanding our bodies and their spiritual implications through training and knowledge is crucial in this pursuit. We can then carry this wisdom into our social and intimate relationships, recognizing ourselves in others and knowing ourselves better through this mutual recognition. This is what truly makes us dancers.
 
This is why I believe conventional marketing, as professionals understand, cannot aid me in finding new students, encouraging more dancers to join milongas, or promoting Tango in its true essence.
 
For me, Tango embodies Friendship. How can one market friendship? And if it cannot be marketed, does it lose its value?
My students and I share a profound friendship rooted in our shared love for a dear friend called Argentine Tango. ❤️

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