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Argentine Tango School

Tag: history

“La última cita” by Ángel D’Agostino y su Orquesta Típica with Ángel Vargas in vocals, 1944.

“La última cita” by Ángel D’Agostino y su Orquesta Típica with Ángel Vargas in vocals, 1944.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

His work at the company “La Cargadora” often forced him to move away from musical activity as a performer, which is why he never wanted to take responsibility for conducting an orchestra.

He did not like to play in the cabarets, since these performances had to be done very late at night, and he had to get up early for his daytime work. The last years of his performance as a professional pianist developed in dancing halls on Saturdays and Sundays in the halls of the Spanish and Italian collectives.

At the beginning of 1921, he toured the interior of Argentina, taking advantage of his vacation from the company, with Graciano De Leone.

It was the prelude to his definitive departure as a professional pianist.

Read more about Agustín Bardi at History of Tango

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“Tinta verde” by Anibal Troilo y su Orquesta Típica, 1938.

“Tinta verde” by Anibal Troilo y su Orquesta Típica, 1938.

Agustín Bardi. Argentine music at Escuela de Tango de Buenos Aires.

Agustín Bardi

Violinist, pianist and composer (13 August 1884 – 21 April 1941)

In his mature age a certain scholarly air emanated from his head. His spirit was far from being agreeable and communicative. Let us not be mistaken to think that he had resentments, nor even that he was a misanthrope. Life imposed on him an early and constant struggle, he had to face adverse occasions and his resources were meager.

Laborious and determined, he watched over his family and even had time to satisfy his vocation.

His musical oeuvre did not provide for him material comfort. Maybe he did not care about that because he was really a creator that with unyielding endurance wanted to learn and increase his wisdom.

Read more at www.todotango.com

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Argentine Tango follower’s technique 4: Circles

Argentine Tango follower’s technique 4: Circles

Last, make circles, keeping the foot of this leg always in touch with the floor, using the “inside edge position” when passing through the “collect position” of both feet together, and when reaching the step to the side position.

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“Orgullo criollo” by Pedro Laurenz y su Orquesta Típica, 1941.

“Orgullo criollo” by Pedro Laurenz y su Orquesta Típica, 1941.

Pedro Laurenz & Julio De Caro | Argentine Tango music

Pedro Laurenz

Bandoneon player, director and composer (October 10, 1902 – July 7, 1972)

He was a great tango personality, basically as a bandoneon player and composer. His influence as orchestra director was relatively less, though still significant. He was a bandoneon player of great techniques, skillful with both hands (high and low pitches), superb in sound, energetic in performances, and vehement in phrases. He was the founder of a performance school.

As a composer —one of the greatest in the tango history— his work mingled with those of Pedro Maffia and the brothers Julio and Francisco De Caro, but then it flew on his own. Among his best compositions, now classic tangos, is “Orgullo criollo” (with the cooperation of Julio De Caro).

Read more about Pedro Laurenz at www.todotango.com

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We are happy to have a collaboration with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.

It is the number 1 source for professional Tango DJs all over the world.

  • Now they started a new project that addresses the dancers and the website is https://en.mytango.online
    You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
    The price is 50€ each (for 32 songs each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

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Susana Miller y Ricardo Luis Gallo “El Pollo”

Susana Miller y Ricardo Luis Gallo “El Pollo”

Dancing Tango and vals on 19-01-2015 at la Practica del Beso.

Susana Miller

Susana is the key figure in today’s tango milonguero style. Her work as a teacher has influenced tango not only in Buenos Aires but also in the world of tango outside of Argentina. As the maestra of other tango teachers, Susana has worked with most of the famous teachers of tango milonguero, and today she continues to train a new generation of professional instructors.

Ricardo Luis Gallo “El Pollo”

Milonguero porteño.

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