Argentine Tango School

Tag: music

Ernesto Ponzio, Argentine Tango musician and composer.

“Don Juan” by Juan D’Arienzo y su Orquesta Típica, 1936.

“Don Juan” by Juan D’Arienzo y su Orquesta Típica, 1936.

Ernesto Ponzio, Argentine Tango musician and composer.

Ernesto Ponzio

Violinist and composer (10 July 1885 – 21 October 1934)

A porteño, born in that neighborhood called Tierra del Fuego (located between the demolished Penitentiary and La Recoleta).

Because of his father’s death, Ernesto had to interrupt his violin studies at the conservatory.

His household, in need of resources, anticipated the beginning of his performances.

Inns and bars were his first venues.

After his playing he, resolute and joyously, paraded with a small saucer in his hand to collect the money that would help his poor family’s income.

We found out that the well-known tango “Don Juan (El taita del barrio)” was, apparently, written in 1898.

According to different authors it was premiered at the dancehall run by Concepción Amaya, Mamita, Lavalle 2177, around 1900.

Read more about Ernesto Ponzio at www.todotango.com

Listen and buy:

  • Amazon music

  • iTunes music

  • Spotify

Ver este artículo en español

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

"El Pollo Ricardo", Argentine Tango music sheet cover.

“El Pollo Ricardo” by Carlos Di Sarli y su Orquesta Típica, 1946.

“El Pollo Ricardo” by Carlos Di Sarli y su Orquesta Típica, 1946.

A story of two friends

In September 1940 the Carlos Di Sarli Orchestra recorded, for the first time (he will record it again two more times), this tango to great public acclaim.

The orchestra leader liked this piece so much that he cut it on three occasions: in September 1940, in March 1946, and in July 1951.

Who was this Pollo?

The true Pollo was an Uruguayan, born on September 29, 1890, who when he was a kid he already mingled with adults at the bohemian café reunions, like those at La Giralda.

Read more about “El Pollo Ricardo” at www.todotango.com

Ver este artículo en español

Listen and buy:

  • Amazon music

  • iTunes music

  • Spotify

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

Lucio Demare y su Orquesta Típica. Argentine Tango music.

“Tal vez será su voz” by Lucio Demare y su Orquesta Típica with Raúl Berón, 1943.

“Tal vez será su voz” by Lucio Demare y su Orquesta Típica with Raúl Berón in vocals, 1943.

Lucio Demare y su Orquesta Típica. Argentine Tango music.

Lucio Demare

Pianist, composer, arranger and leader (9 August 1906 – 6 March 1974)

An innate faculty for musical invention and a delicate creative temper identified, from the very beginning, the characteristics of his oeuvre.

A player of unmistakable sound and phrasing, he has been an authentic speaker with his piano. 

Either his instrumental and vocal charts have the trademark of his fine personality as artist or the groups he led in renderings so satisfying as “Tal vez será su voz”. 

Read more about Lucio Demare at www.todotango.com

Ver este artículo en español

Listen and buy:

  • Amazon music

  • iTunes music

  • Spotify

More Argentine Tango music selected for you:

We have lots more music and history

How to dance to this music?

9 de julio. Argentine music at Escuela de Tango de Buenos Aires.

“Nueve de Julio” by Juan D’Arienzo y su Orquesta Típica, 1935.

9 de julio. Argentine music at Escuela de Tango de Buenos Aires.José Luis Padula

Guitarist, pianist, composer and leader
(30 October 1893 – 12 June 1945)

This musician son of immigrants, born in the northern province of Tucumán, delved into tango and folk music. His father was Italian, he transferred to him his inclination for music.

As a child he played harmonica and guitar. Unfortunately he became an orphan at age 12 and he didn’t have the support of his mother. About her very little is known. For that reason, being still very young, he went out to the streets to work for his living.

He had the idea of attaching his harmonica to the guitar. He fixed it to a stick fastened by a belt to the upper part of the instrument and so it reached his mouth.

The curiosity that such a combination woke up in people, added to his musical intuition and his facility for melody, allowed him to travel throughout his province and other neighboring places until arriving in Rosario city, in the province of Santa Fe. Continue reading at www.todotango.com...

Leer este artículo en español.

Listen and buy here:

See more Argentine Tango Music.

Marcelo Solis bailando con Lola

What is Tango?

What is Argentine Tango?

ine Tango in Buenos Aires with Marcelo solis at Escuela de Tango de Buenos Aires

“Tango is Life”

What does this sentence mean?

It suggests that those who do not tango don’t know what life is.

Can such a radical thought make sense?

Ask anyone who is involved in Tango, passionately, which is the only way to be involved in it, and that will be the answer.

This attitude in relation to Tango is rooted in the fact that Tango provides you with fulfillment, opening you up to the possibility of making your life a work of Art.

In America (North America), people think of Tango as a dance, (always with the prejudice that dance means “performance”, conceived as something put on for a spectator,) perhaps also as a music genre, but the Spanish speaking population of the world knows that Tango is also words, lyrics, poetry, “chamuyo” (for Argentineans).

These are words essential to knowing Tango in all its relevant aspects. Enrique Santos Discépolo, author of many essential tangos, declared that “Tango is a sad thought that is danced”.

Every word in this phrase demands explanations that will never exhaust their meaning.

What kind of “sad thought” then, is Tango?

It is looking at the past with the feelings of what went away, and the realization of how little we have left to leave us, too.

Start learning Argentine Tango

“Jamás retornarás”

“Cuando dijo adiós, quise llorar…
Luego sin su amor, quise gritar…
Todos los ensueños que albergó mi corazón
(toda mi ilusión),
cayeron a pedazos.
Pronto volveré, dijo al partir.
Loco la esperé… ¡Pobre de mí!
Y hoy, que tanto tiempo ha transcurrido sin volver,
siento que he perdido su querer.

Jamás retornarás…
lo dice el alma mía,
y en esta soledad
te nombro noche y día.
¿Por qué, por qué te fuiste de mi lado
y tan cruel has destrozado
mi corazón?
Jamás retornarás…
lo dice el alma mía
y, aunque muriendo está,
te espera sin cesar.

Cuánto le imploré: vuelve, mi amor…
Cuánto la besé, ¡con qué fervor!
Algo me decía que jamás iba a volver,
que el anochecer
en mi alma se anidaba.
Pronto volveré, dijo al partir.
Mucho la esperé… ¡Pobre de mí!
Y hoy, que al fin comprendo
la penosa y cruel verdad,
siento que la vida se me va.”

 

 

“You will never return”

When she said goodbye, I wanted to cry…
Then without her love, I wanted to scream…
All the daydreams dwelling in my heart
(all I dreamt of),
fell to pieces.
I’ll be back soon, she said as she left.
A fool, I waited for her… Poor me!
And today, that so much time has passed without her coming back,
I can feel that I have lost her love.

You will never return…
my soul says so,
and in this solitude
I call your name night and day.
Why, why did you leave my side
and so cruel, have you destroyed
my heart?
You will never return…
my soul says,
and, although it is dying,
it is waiting for you incessantly.

How much I begged her: come back, my love…
How much I kissed her, how fervently!
Something told me that she would never return,
as the nightfall
was nesting in my soul.
I’ll be back soon, she said as she left.
I waited for her so much… Poor me!
And today, that at last I understand
the painful and cruel truth,
I feel that life is leaving me.

Osmar Maderna portrait. Argentine Tango musician, composer and conductor.

The lyrics are about love, about a broken heart, an unfulfilled promise and unsatisfied hopes. It is also a view of life from the perspective of realizing that life, and everything in it, goes away: “Y hoy, que al fin comprendo / la penosa y cruel verdad, / siento que la vida se me va.” (And today, that at last I understand / the painful and cruel truth, / I feel that life is leaving me.)

Did Osmar Maderna, one of the authors, know that he was destined to die, suddenly, at age 32, in an accident?

His short life was feverishly productive: a piano virtuoso, a gifted composer, a in-demand arranger, a successful conductor, a great friend, a beloved husband, a passionate amateur aviator… When he left his home, in Pehuajó, a city located 230 miles southwest of Buenos Aires, to start his independent life as a musician in the capital, he asked his brother to tell everyone that he went to buy a bandoneon

Learn to dance Argentine Tango

Marcelo Solis Argentine Tango with Sofia Pellicciaro

How can one not be passionate about Tango?

Tango gives you purpose:

to make the world beautiful, starting with yourself, since you are the most accessible, affordable and appropriate canvas to be the experimental field for you to probe into your understanding of beauty, before being accepted by others and daring yourself to go beyond yourself and do whatever you want with it in a world into which you exist, a world populated with meanings that tend to be shaped by prejudices and misinterpretations, by accumulation and overlapping of meanings, gifted, inherited, imposed by others, or simply developed by you to justify some of your beliefs, hide your hypocrisies and/or calm your anxieties.

You will need to probe your creation, your dance, your style, to be refreshing and more meaningful than what is already out there.

That is exactly what it is to be a “milonguera” (a woman who regularly dances tango) or “milonguero” (same for a man).

We, milongueros, decided to accept to live in a world that reproduces the kind of existence described above, where our life is possible not only by our participation in the economy of our societies, by having a job like everyone else, but beyond this primary satisfaction of our elementary needs, we EXIST in accordance with what is beautiful, with “compás y elegancia” (musicality and aesthetic energy efficiency), shaping every manifestation of our being-in-the-world-with-others according to proportions that are the same, that seem, from our human perception, to underlie the universe.

Pythagoras, music, proportions and cosmos.

Pythagoras (495 BC), after researching what notes sounded pleasant together, worked out the frequency ratios (or string length ratios with equal tension,) and found that they had a particular mathematical relationship. The octave was found to be a 1:2 ratio, and what we call today a fifth to be a 2:3 ratio.

All the notes of a musical scale are produced by ratios.

Musical notes and ratios

Same as rhythm can be defined by ratios:

Rhythm defined by ratios

Including the rests -pauses-, essential to dancing Tango:

Pauses, rests, essential to dancing Tango

And the proportions of our bodies:

Vitruvian man Leonardo

Proportions are everywhere:

  • Proportions in clouds

  • Proportions in snails

The artist uses this awareness of proportions as a guide to creation.

Mona Lisa Leonardo

And now, combine all these proportions with another human, who, being of the same species, is also different from you.

  • One of these differences is that we are sexed.
    Being sexed is related to our mortality. We need this duality to preserve our species. And when the raw sensations of our sexuality fade away, only the human embrace -more than anything- still satisfies our need for consolation in the face of the abyss of the infinite void of death, always ahead.

    How fulfilling to learn about our bodies, about our existence in the world, discipline and train ourselves to extract beauty out of the depths of our lives! How exciting to engage in such adventures in the company of that mysterious being that is so familiar and yet such a stranger! A being that calls us like the mermaids would, with a voice that draws out from our perception all other indicia; which will harmonize with that music, which, in its brave approach, recalls the tragic inevitability of a storm that will take away all our superficial possessions, and leave us only with ourselves, longing for an embrace.

    In Plato’s “The Symposium”, Aristophanes tells a legend, that the human being was, in its origins, a double being, composed of two entities, of what is today a human body. These creatures offended the gods, so they decided to cut them in half. The beings’ first reaction was to embrace each other.

Escuela de Tango de Buenos Aires - Marcelo Solis (Enrosque)

We like to say in Argentina: “el Tango te espera”

(Tango is waiting for you)

This patient waiting is another manifestation of its call, not a call that awakens our curiosity, like the sounds of our cellphones, always buzzing WhatsApp, Facebook, Instagram and text messages.

It is the call of a challenge, that is not easy to respond to, that is not user friendly, that makes you think, that scares you and pushes you away in the same measure of (if we could quantify it somehow) seduction and attractiveness with which it appears to you.

Do not worry. It’s great to have that feeling! That means you are alive!

Resources:
Enrique Santos Discépolo
Urban dictionary
Osmar Maderna
Miguél Caló
Martin Heidegger
Roy Hornsby, “What Heidegger Means by Being-in-the-World”
Sigmund Freud
Gilles Deleuze
Michel Foucault
Michel Onfray
Jean Baudrillard
Friedrich Nietzsche
Plato’s “The Symposium”

This article continues…

Learn to dance Argentine Tango

Related posts:

  • 1
  • 2
  • 6

Contact us

%d bloggers like this: