"T.B.C." Argentine music at Escuela de Tango de Buenos Aires

“T.B.C.” by Carlos Di Sarli y su Sexteto Típico, 1928.

The sextets renowned in the history of Tango developed a classic constitution: two bandoneons, two violins, piano and double bass. It is necessary to previously point out that those line-ups were neither unmovable nor permanent.

They changed according to dates and circumstances.

Carlos Di Sarli for his appearance at the Café Guaraní (1927): César Ginzo and Tito Landó (b), José Pécora and David Abramsky (v), Di Sarli (p) and A. Krauss (db). One month later Héctor Lefalle substituted for Abramsky (v) and Domingo Capurro for A. Krauss (db). Continue reading at www.todotango.com…

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Marcelo Solis

I was born in Argentina. Through my family and the community that saw my upbringing, I have been intimately involved with the culture of Tango all my life, and have been an Argentine Tango dance performer, choreographer and instructor for over 30 years. I profoundly love Tango dancing, music, and culture, particularly that of the Golden Era. I am a milonguero.

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