I would like to comment on the situation of Tango today (April 2023).
As for the dance, the following process can be observed:
1. Firstly, in the 1980s, there was a concern about the appropriate methodology to transmit the Tango dance to everyone who wanted to learn. Let us bear in mind that for the dancers who were trained before the eclipse of Tango (for which, in my opinion, it is pertinent to take the year 1955), the way of learning to dance was what can be called "homemade" or "organic", that is to say, they did not have to look for Tango classes, but instead, they were born in a time and an environment in which it was natural and expected of them to dance Tango. Tango was not seen as a profession, although no less was demanded regarding the quality of dance. The first steps could be taken inside the home if the relatives already danced Tango and transmitted it to the new family members along with all the other things in the home, such as meals, schedules, beliefs, and values.
As for the poetry of Tango, it is absent in a world absent of poetry. In the words of my friend and teacher, the excellent dancer and milonguero Blas Catrenau: "What can poets write about today?" "My cell phone ran out of battery, and I can't send you a WhatsApp?" 🤣