Escuela de Tango de Buenos Aires

Néstor began his artistic career in the National Conservatory of Dramatic Art, where he worked with renowned professor Lía Sirouyan, who introduced the Jaques Dalcroze method in Argentina and developed a discipline known as ‘musical rhythm’.  For Néstor, this experience was essential to fulfill his need and desire to explore and express through movement the stimuli induced by music.   Néstor also took classes with Néstor Romero at the Center for Artistic Expression in Buenos Aires, and had lead roles in many theater and musical plays.

He started dancing tango in his early youth among other young men at the practice studio of Crisol and Verné. Later he attended several carnival balls organized at local clubs such as San Lorenzo de Almagro. Since then he never stopped dancing and attending the most important clubs of his time, like Club Unidos de Pompeya, Club Huracán, Club Social y Sportivo Buenos Aires, Club Social Rivadavia, Palacio Rivadavia, Club Almagro, Chacarita, Premier, Editorial Haines, etc. In his youth he often danced at the main tango bars of Buenos Aires, such as Picadilly, Sans Souci, Montecarlo, and many more.

“My classes aim to instruct and encourage the dance of Tango Salón Tradicional Argentino, a knowledge that I have acquired over more than 30 years of study with various teachers such as: Miguel Gutierrez, Eduardo Arquimbau, Mingo Pugliese, Pepito Avellaneda, J.C. Copez among others, with whom I not only learned to dance but also to teach dance, scene and choreography.
In my classes we work everything you need to dance tango on a dance floor: posture, musicality, balance, cadence, styles, different orchestras, lead and follow, adornments, codes, floor craft, etc.
The final goal is that all can access to enjoy a good tango dance and also to transcend our Buenos Aires’ culture for the next generations.”