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Argentine Tango music at Escuela de Tango de Buenos Aires

“Un lamento” by Carlos Di Sarli y su Orquesta Típica (1942)

Graciano De Leone

Bandoneonist, leader and composer
(16 July 1890 – 21 June 1945)

This porteño was initially guitarist. His friend, Eduardo Arolas, persuaded him to pick up bandoneon. He had two brothers that were musicians, Pascual who was pianist and Nicolás, guitarist. He lived for a long time on Tacuarí 1870 and his whereabouts were the neighborhood of Barracas and Parque Lezama.

Even though he was a “fueye” man, the first bucks he got were playing guitar at the Café de las Mercedes in La Boca when teamed up with the bandoneon player Antonio Cacace, widely popular by that time. This took place until he came to know Arolas in 1909 one evening that he crossed the city to El Abasto area.

They played in numerous backyard balls adding a violinist that played by ear and was known as “El Quijudo”. Now as bandoneon instrumentalist, Arolas himself had passed on to him the music of the first number, a waltz, “Las sirenas” and one by Alfredo Bevilacqua, “Recuerdos de la pampa”.

His beginning with the new instrument was —towards 1910—… Continue reading.

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Marcelo Solis

I was born in Argentina. Through my family and the community that saw my upbringing, I have been intimately involved with the culture of Tango all my life, and have been an Argentine Tango dance performer, choreographer and instructor for over 30 years. I profoundly love Tango dancing, music, and culture, particularly that of the Golden Era. I am a milonguero.

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