“Soy un arlequín” by Carlos Di Sarli y su Sexteto Típico, 1929.
During Di Sarli’s sextet years, 1928-31, his sound still fit with the slow marching beat that was popular at the time among orchestras like Francisco Canaro’s and Osvaldo Fresedo’s (Di Sarli’s personal inspiration).
However he was beginning to carve out his personal signature of a unified orchestral sound, lush melody, and soft understated rhythm.
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