Osvaldo Pugliese and Roberto Chanel. Argentine music at Escuela de Tango de Buenos Aires.

“Silbar de boyero” by Osvaldo Pugliese y su Orquesta Típica with Roberto Chanel in vocals, 1944.

Osvaldo Pugliese and Roberto Chanel. Argentine music at Escuela de Tango de Buenos Aires.Roberto Chanel & Osvaldo Pugliese

The singer himself tells us: «I always got along very well with Pugliese in spite of his political ideas.»
The researcher Nélida Rouchetto described him this way:

«With his nasal sound, his canyengue and his common man’s diction he kept alive the popular roots that gave rise to the city music. It was Chanel who identified himself like an orchestra instrument, in the manner of a viola, as can be verified since his first recording».

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Marcelo Solis

I was born in Argentina. Through my family and the community that saw my upbringing, I have been intimately involved with the culture of Tango all my life, and have been an Argentine Tango dance performer, choreographer and instructor for over 30 years. I profoundly love Tango dancing, music, and culture, particularly that of the Golden Era. I am a milonguero.

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