Argentine Tango School

Argentine Tango class by Marcelo Solis assisted by Mimi on salida basica

How to dance Argentine Tango: salida básica

How to dance Argentine Tango: salida básica

The leader walks to join the follower and offers his left hand.
The follower takes it with her right hand and embraces the leader placing her left hand on the leader’s back, and the leader completes the embrace with his right arm.
Change weight.
For the leader:
One: step backward with your right.
Two: step to the side with your left and place your feet together.
Three: forward with your right, stepping outside your partner.
Four: left forward.
Five: feet together.
Six: forward with your left.
Seven: side step with your right.
Eight: feet together.
 
For the follower:
One: step forward with your left.
Two: step to the side with your right, and place your feet close together.
Three: backward with your left.
Four: right backward.
Five: cross your left foot in front of your right foot.
Six: backward with your right.
Seven: side step with your left.
Eight: feet together.
 
Again:
For the leader:
One: step backward with your right.
Two: step to the side with your left and place your feet together.
Three: forward with your right, stepping outside your partner.
Four: left forward.
Five: feet together.
Six, seven, and eight can be count as “tan-go-close”
 
For the follower:
One: step forward with your left.
Two: step to the side with your right, and place your feet close together.
Three: backward with your left.
Four: right backward.
Five: cross your left foot in front of your right foot.
Tan-Go-Close.
 
Maintain a close embrace during the whole sequence.
Arms maintain their shape while remaining elastic.
Walk smoothly and precisely.
Argentine Tango is an improvisational dance. However, elements like this one are useful in your learning process.

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Argentine Tango exercise follower's basic cross by Mimi

How to dance Argentine Tango exercise 2: follower’s basic cross

How to dance Argentine Tango exercise 2: follower’s basic cross

Let’s practice the basic cross, in which your left leg crosses in front of your right leg when walking backward.
 
Although leaders and followers can make crosses in Argentine Tango, we focus here on the follower’s cross.
 
This position appears for the first time in the close embrace partner’s dances in the Argentine Tango’s choreography.
I like to imagine the first milongueros making this move never seen before, with an air of innovation and defiance.

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Marcelo Solis teaching how to walk in Argentine Tango class.

How to dance Argentine Tango exercise 1: change of weight and walking

How to dance Argentine Tango exercise 1: change of weight and walking

Shift your weight from one foot to the other, making sure to align your body’s axis, that is, the vertical line that organizes your body so that you have a good balance on that foot.
 
Walk trying to gradually put your foot on the floor while moving your axis between both feet, until letting your axis be completely aligned on one foot, and thus begin the same process again.
 
My intention is to be sure about where I put my foot before I commit my full body weight on that foot, moving carefully and, at the same time, free enough to accept risks and safe enough to choose certain risky situations to be able to play with my movements, making my dance in this way pleasant and interesting at the same time, like a happy, deep, and witty chat with my dance partner.
 
We can add a “tap” between steps so that we have to develop our sensitivity in relation to the alignment of our axis on each foot alternately.
 
We can also do a “tap” between each weight change.
Walking slower helps us better control the gradual shift of our weight from one foot to the other.

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Marcelo Solis dancing Argentine Tango with Mimi in the San Francisco Bay Area

To dance well in Argentine Tango

To dance well in Argentine Tango

Marcelo Solis dancing Argentine Tango with Mimi in the San Francisco Bay Area

To dance well, that is to say: to DANCE, we will have to organize our lives in that direction; I will not be able to dance well if my life develops away from that goal.
Indeed, if what I long for is, for example, to make money, then my life will be oriented in that direction, in the direction of abstractions (money is an abstraction), very far from my actual body.
 

Put any project on this scale and consider how far the primary goal of that project will be from performing a good dance.

No one is forced to dance well. Truths, life projects, and desires cannot be the same for everyone.
 
I am inclined to think this way: when I reach the end of my life, what would I like to see in the wake left by that life?
 
Imagine all the possible lives we could lead. Let’s try to think and feel them, weigh them, smell them, look at their colors, and measure the scope of their luminous skyscrapers of triumphs and black abysses of awful flavors.

Perhaps we all live in different worlds, with the things and people we surround ourselves with. A life could thus develop in the direction of a choice of one’s own world in which to inhabit.
 
I think that perhaps a good way of living would develop in the direction of becoming more and more capable of directing and selecting what goes into the process of our existence.
 
In particular, as far as I am concerned, I prefer what increases the power of my physiology, makes my body more versatile, adaptable, and happy, my mind more lucid, and my spirit lighter and dancing.
 
Here is the foundational question that is answered with living itself: How to live?
That would be dancing!
Should I ask myself “what for” and/or “for whom”?
 
We could also perhaps answer ourselves: “there are immediate, urgent things to resolve; we live at a precise moment in history which conditions us, that is, it enslaves us and forces us to do things that we would not do otherwise. Let us, then, postpone our plan, our life, until we have resolved the present and responded to all the obligations implicit in its calls”.
 
In particular, my truth concerning this is that we will eternally be bound by the present. We were born like this: OBLIGATED.
 
My opinion on this is the following: it is a matter of perspective; It depends a lot on where we look at life from and where we place ourselves –physically and spiritually– to look at it.
 
Let’s listen to the tango “Me quedé mirandola” by Anibal Troilo with Alberto Marino on vocals. (I ask you… Is there another version of this song that we can dance to?)
 
Sometimes people leave the dance; that is, they abandon the dancing project because they run into a barrier they don’t dare to cross. Although they always give themselves other excuses.
 
I have abandoned many of my previous lives to lighten up enough to be able to continue dancing.
 
And do not think that you will not find doubts about yourselves and the value of dancing!
 
There are many possible worlds, many parallel realities that cannot be accessed in any “objective” way, such as the achievements of science and technology.
 
Don’t you think you should dare?
 
But this is a matter of taste.
 
When I see someone who dances, who DANCES, I see someone free. His body is no longer “ergastulum“, as the Catholic Church used to say in the Middle Ages, meaning “prison of the spirit”, a spirit that must wait until death to be released.

When I see someone DANCING, I see his soul already free in life, no longer waiting, postponing, procrastinating life to perhaps one day meet that fundamental question not only unanswered but never asked.

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Enhance Your Argentine Tango with These Dance-Improvement Exercises

Enhance Your Argentine Tango with These Dance-Improvement Exercises

Tango exercises are not just drills but the stepping stones to becoming a proficient and expressive dancer. They empower you to navigate the dance floor with grace, musicality, and confidence, ensuring that every Tango experience is joyous and fulfilling.

The Art of Pauses: Elevating Argentine Tango with Moments of Stillness

In Argentine Tango, pauses hold a unique significance. They are not mere dance breaks but essential elements that add depth and meaning to each step. Pauses allow dancers to breathe, connect, and infuse emotion into their movements. They provide the canvas upon which the dance unfolds, creating moments of suspense, anticipation, and connection between partners.

Pauses also showcase the mastery of control in Tango. It’s not just about the steps; it’s about the spaces in between. These moments of stillness offer a chance to savor the music, communicate with your partner, and convey the subtlest nuances of the dance.

In essence, pauses in Argentine Tango are the punctuation marks that transform a series of steps into a compelling and expressive conversation between dancers. They remind us that sometimes, the silence speaks the loudest in the language of dance.



Mastering the Artistry of Pivots and Ochos in Argentine Tango

Pivots and ochos are fundamental elements in the captivating world of Argentine Tango, contributing to its unique charm and elegance. These intricate movements hold great importance in technical execution and artistic expression, making them essential components of any Tango dancer’s repertoire.

1. Pivots – The Essence of Control: Pivots in Tango are all about control. These graceful, pivoting turns require dancers to maintain their axis while executing precise footwork. Pivots allow the dancer to change direction, transition smoothly between steps, and gracefully navigate the dance floor. They demand balance, core strength, and a deep connection with your partner. Mastering pivots enhances your technical prowess and adds finesse and sophistication to your dance.

2. Ochos – The Art of Figure Eights: Ochos are elegant, figure-eight-shaped movements that can be executed both forward (ochos adelante) and backward (ochos atrás). They are the embodiment of fluidity in Tango. Ochos allow dancers to create beautiful patterns, effortlessly gliding across the floor. These movements are visually captivating and serve as a means of communication between partners. They convey intention, invitation, and connection.

Why Pivots and Ochos Matter:

  • Expression and Musicality: Pivots and ochos allow dancers to express themselves artistically. When executed in sync with the music, they become a rhythmic conversation with the melody, adding depth and emotion to the dance.

  • Connection: These movements require a strong connection between partners. Leading and following pivots and ochos fosters trust and intimacy, creating a profound bond on the dance floor.

  • Versatility: Pivots and ochos are versatile and can be incorporated into various Tango styles and choreographies, making them essential for both social dancing and performances.

  • Technique and Precision: Mastering pivots and ochos hone your technique, as they demand precise footwork, body alignment, and control. This technical proficiency enhances your overall Tango skills.

In summary, pivots and ochos are the heartbeat of Argentine Tango. They epitomize the balance between technique and artistry, control, and expression. As you delve deeper into the world of Tango, you’ll discover that these movements are not just steps but pathways to a deeper understanding of the dance’s soul. Embrace the beauty of pivots and ochos, and let them lead you on a mesmerizing journey through Argentine Tango.




Turning the Pages of Emotion: The Art of Turns in Argentine Tango

Turns in Argentine Tango are a captivating and essential element that adds flair, dynamics, and intricate patterns to the dance. They are not just a series of rotations but a language of expression, communication, and connection between dance partners. Here, we explore the significance and beauty of turns in Argentine Tango.

1. The Poetry of Rotation: Turns in Tango are akin to poetic verses. They infuse the dance with a lyrical quality, allowing dancers to convey emotions, stories, and nuances through their movements. Each turn is a sentence in the partner’s dialogue, filled with anticipation, grace, and passion.

2. Connection and Trust: Turns testify to the profound connection between the lead and follow. They demand trust and communication as the lead subtly signals the direction and speed of the turn. The follow, in turn, responds with grace and precision, ensuring a seamless rotation. This synergy between partners is at the core of Tango’s magic.

3. Versatility and Creativity: Turns come in various forms, from the classic “giros” to the more intricate “boleos” and “sacadas.” This versatility allows dancers to express their creativity and adapt their movements to different Tango styles, music, and moods. It’s a canvas for self-expression and exploration.

4. Musicality and Rhythm: Argentine Tango music is rich in nuances, and turns are a means to interpret its melodies and rhythms. Dancers use turns to accentuate musical accents, pauses, and crescendos, adding layers of depth to their dance. The ability to synchronize turns with the music is a mark of a seasoned Tango dancer.

5. Technical Mastery: Mastering turns in Tango requires technical precision. Dancers must maintain proper posture, balance, and footwork to execute turns smoothly. This attention to technique enhances the dance’s aesthetics and contributes to its safety and fluidity.

6. Building Complexity: As dancers progress in their Tango journey, they delve into more complex turns and sequences. These challenge their skills, expand their repertoire, and keep the dance exciting and evolving.

In conclusion, turns in Argentine Tango are more than spins; they are the language of passion, connection, and artistry. They transform the dance into a mesmerizing conversation between partners, where every turn is a sentence, every step is a word, and every dance is a captivating story. So, the next time you step onto the Tango dance floor, remember that in each turn, you’re not just spinning; you’re painting poetry with your feet and sharing an intimate dialogue with your partner.





Elegance in Motion: The Art of Embellishments in Argentine Tango

In Argentine Tango, embellishments are the delicate brushstrokes that transform a simple dance into a captivating work of art. These embellishments, also known as “adornos” in Spanish, are intricate foot and leg movements, often executed by the follower, that add depth, passion, and nuance to the dance. Here, we explore the significance and beauty of embellishments in Argentine Tango.

1. Expressive Flourishes: Embellishments are a means of expression in Tango. They allow dancers to convey a range of emotions – from sensuality to playfulness, from longing to joy – through their movements. Each embellishment is like a whispered secret, a subtle message shared between partners.

2. Follower’s Creativity: While the lead guides the dance, embellishments allow the follower to showcase their creativity and artistry. Within the structure of the dance, followers can add their personal touch, making each performance unique.

3. Enhancing Musicality: Embellishments are intimately tied to the music of Argentine Tango. Dancers use them to interpret the music’s melody, rhythm, and dynamics. This synchronization between movement and music elevates the dance to a higher level of artistry.

4. Connection and Sensuality: Embellishments enhance the connection between dance partners. They create moments of intimacy and sensuality as the follower’s leg caresses the leader’s leg or foot in a gentle, expressive gesture. These subtle touches heighten the chemistry on the dance floor.

5. Variations and Complexity: Embellishments come in various forms, from the classic “boleo” (a leg sweep) to the “gancho” (hooking of the leg). As dancers progress, they explore more intricate and complex embellishments, adding depth and sophistication to their Tango.

6. Adapting to the Moment: Embellishments are not pre-planned; they are a spontaneous response to the music and the energy of the dance. This adaptability keeps the dance fresh and exciting as dancers connect with the present moment.

7. Fusion of Technique and Artistry: To execute embellishments gracefully, dancers must combine technical precision with artistic flair. This fusion of technique and artistry exemplifies the beauty of Argentine Tango.

In conclusion, embellishments in Argentine Tango are the brushstrokes of passion, the notes of poetry, and the whispers of emotion. They are the language of connection and sensuality, a shared secret between dance partners. As you delve into the world of Tango, remember that embellishments are not just steps; they are the heartbeats of the dance, adding depth and magic to every step on the dance floor.



In the enchanting world of Argentine Tango, the dance often unfolds like a beautiful narrative, with each step revealing a new chapter in the story. One such captivating chapter features the sequence of backward ochos and turns, a combination that embodies the essence of grace, precision, and artistic expression in Tango.

Backward Ochos: These elegant figure-eight movements, known as “ochos atrás,” see the follower gracefully tracing patterns on the dance floor while moving backward. They require a delicate balance between pivoting and stepping, with the leader guiding the follower’s every move. Backward ochos are not just steps but a lyrical conversation between partners, filled with anticipation and connection.

Turns: Within this sequence, turns add a layer of complexity and intrigue. They provide a twist in the tale, inviting dancers to rotate gracefully while maintaining their connection. These turns require technical mastery and an intimate partnership as the lead and follow navigate the dance floor with finesse and precision.

Why It Matters: The backward ocho and turn sequence embodies the heart and soul of Argentine Tango. It symbolizes the partnership’s ability to communicate through movement, to interpret the music’s rhythms and melodies, and to create a dance that is both dynamic and emotionally resonant.

Musicality: As with any Tango sequence, musicality plays a crucial role. Dancers must synchronize their backward ochos and turns with the music’s ebb and flow, accentuating the melody and rhythm. This harmony between movement and music elevates the dance to a higher level of artistry.

Emotional Connection: The sequence of backward ochos and turns invites dancers to share an intimate connection on the dance floor. It’s not just about steps; it’s about the unspoken dialogue between partners, the chemistry that ignites as they move together.

Versatility: This sequence can be adapted to various Tango styles and choreographies, making it a versatile addition to any dancer’s repertoire. Whether dancing socially or performing on a grand stage, the backward ocho and turn sequence allows for creative expression.

So, as you embark on this enchanting Tango journey, remember that each backward ocho and turn is a page in your dance story, a moment of connection, and a canvas for artistic expression. It’s a sequence that embodies the beauty, passion, and magic of Argentine Tango, inviting you to dance with your heart and soul.

Argentine Tango is a communal art form where you can admire beauty and contribute to its creation. It represents a holistic worldview expressed through dance, music, poetry, and philosophy. It is a pathway to artistic expression rooted in your unique life experiences.

In the realm of Tango, you dance not just with your body but also with your thoughts and emotions. It becomes a personal invitation to share your artistry and demonstrate the possibilities within each of us.

I find great joy in using my dance as an invitation for others to join to embark on this transformative journey. I’m passionate about assisting anyone who wishes to explore this path, as it allows us to collaborate in enhancing our lives collectively.

Argentine Tango, at its core, is not just a dance but a shared adventure of self-discovery and creativity.

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