The collector and researcher Emilio Pichetti tells us: «Enrique Rodríguez was a complete functional musician, besides playing bandoneon, he equally played piano and violin or brandished the baton. He was talented and was fast to easily write simple arrangements and versions of consecrated classical and popular melodies of all countries without depriving them of their essence of international beat. So the success of his orchestra was strengthened not only in our milieu but also in the whole continent for the delight of listeners and dancers». Learn more at www.todotango.com.