“Milonguero viejo” by Carlos Di Sarli y su Orquesta Típica, 1944.
El Señor del Tango
Pianist, leader and composer
(7 January 1903 – 12 January 1960)
He was a talented pianist, maybe one of the most important, who conducted his orchestra from his instrument, with which he mastered the synchrony and the performance of the outfit.
In his orchestral scheme there were not instrumental solos, the bandoneon section sang at times the melody, but it had an essentially rhythmic and danceable role.
Only the violin was showcased in an extremely delicate way, on a brief solo or on a counter melody.
The piano led in a suggesting way, with an embellished bass line, which turned into a trademark of the maestro, linking the bars of the piece and stressing the delicate, elegant rhythm, especially for dancing.
“Milonguero viejo (Fresedo)”, the tango he dedicated to Fresedo, his referent and admired friend, is curiously the paradoxical lapsus that portrays his own musical model. Continue reading at www.todotango.com…
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