Etiquette: “Cabeceo”, “cortinas”, “tandas”, and line of dance
“Cortinas” & “tandas”
“Cortinas” are small pieces of songs that separate different sets of tangos, milongas or valses (“tandas”). Each “tanda” contains four songs by the same orchestra. In this way, you know that after the “cortina” a new set, played by a different orchestra, is coming, usually a different rhythm and style than the set played right before. The “cortinas” are also a chance to change partner. The etiquette in Buenos Aires is to dance with the same partner until the end of the set. So, when the “cortina” starts to play you can say “Thank you” and go back to your table. The “cortina” makes clear that the set is over. You will have to wait for the next set to begin before to ask any other partner to dance. Once you and your partner get into the dance floor, you want to make sure what kind of rhythm (slow, fast) is being played, so please don’t start to dance right away! “Tandas” of Latin rhythms, Swing and Argentine Folklore are also played in Buenos Aires milongas.
“Cabeceo”: eye contact . Asking someone to dance
Facing the fact that to be rejected is always painful, the Porteños (people from Buenos Aires) developed the “eye contact” as the proper way to ask someone to dance. They just look at the person they want to dance with. This applies either for men or women. If the man wants to dance, he will let the woman know by a nod of head towards the dance floor. If she does not want to dance, she will deny with the head. If the woman wants to dance, she will answer back with a smile or an assenting sign with her head. After these subtle signs, he will go to her table (or where she is) and take her to the dance floor. If the other person does not want to dance (man or woman), when the “eye contact” occurs, he/she will look to a different direction. Another way to ask a woman to dance, and this one is maybe for the more braves, is to go to where she is at and introduce yourself (if you don’t know each other from before) and/or start a conversation. After exchanging some words, you can ask her if she would like to dance with you.
Tango is a SOCIAL dance. It is not a sport, so the milonga is a place not only to dance, but also to meet new people, chat with friends, etc. In Buenos Aires if a person come out of the blue and asks you to dance, it is considered a very aggressive attitude. It will be almost like saying: “I just want to dance with you and I don’t really care what you think about that”. There are many benefits of these “techniques”. One is that it takes in consideration the feelings of both partners, so when the dance finally happens, they both know they are where they want, which is the most important requirement to have a good dance. They are not dancing because they have to. Also, it is part of the ritual of tango which is a very intimate dance. I think that if you are learning to dance a foreign dance, like tango or any other, you have to try to understand the codes that come with it, because for sure you will find out they have some kind of sense.
Line of dance
The line of dance is not an Argentine invention; it did not begin with Argentine Tango. The line of dance was already in the European dances in fashion of that time (1800’s). The counter clockwise direction roots in ritual dances that proceed even the social dances that originated during the Renaissance. The Argentine Tango dancers just adopted it. In Argentine Tango the line of dance is an expression of the dance itself, understanding it as a way of walking. Also, it is the result of an agreement that shows the respect among the dancers on the dance floor.Seeing it from a practical point of view and making analogy: it is like traffic on the freeway, without the speed, but everyone is going in the same direction in your lane of traffic.