Bandoneonist, composer and leader
(24 February 1892 – 29 September 1924)
Every tango lover has a personal vision towards the artists’ values, and that is all right, our taste and personal experiences define us in the choice of ones or others.
Certainly, when we talk about tango as song, there is an unanimous agreement in the incomparable figure of Carlos Gardel, something that does not happen when the opinion is about orchestras or the rest of the musicians or singers.
The case of Eduardo Arolas, is another exception, his extraordinary talent as composer, places him one a rank above the rest, what is a merit even greater if we take into account that in his time the major tango creators appeared. Let us remember musicians of the category of Agustín Bardi, Vicente Greco, Arturo De Bassi, Juan Carlos Cobián, Roberto Firpo, among so many others.
So Gardel and Arolas are, in my opinion, the basement of modern tango, the former, born French and porteño (Argentine from Buenos Aires) by adoption, the latter, Argentine with French parents.
Gifted with an incredible melodic creativity, he stepped into the musical environment as a modest player of guitar, his first instrument, introduced by his friend Ricardo González, (Muchila).
But the bandoneon will be responsible for his consecration and the faithful witness of his genius and his tormented life. Continue reading.