“Una noche de garufa” by Septimino de Argentino Galván Los Astros del Tango, 1959.

Learn to dance Argentine Tango at Escuela de Tango de Buenos Aires. Marcelo Solis teaches you at the San Francisco Bay AreaEduardo Arolas: El Tigre del bandoneón

Bandoneonist, composer and leader
(24 February 1892 – 29 September 1924)
Every tango lover has a personal vision towards the artists’ values, and that is all right, our taste and personal experiences define us in the choice of ones or others.
Certainly, when we talk about tango as song, there is an unanimous agreement in the incomparable figure of Carlos Gardel, something that does not happen when the opinion is about orchestras or the rest of the musicians or singers.
The case of Eduardo Arolas, is another exception, his extraordinary talent as composer, places him one a rank above the rest, what is a merit even greater if we take into account that in his time the major tango creators appeared. Let us remember musicians of the category of Agustín Bardi, Vicente Greco, Arturo De Bassi, Juan Carlos Cobián, Roberto Firpo, among so many others.
So Gardel and Arolas are, in my opinion, the basement of modern tango, the former, born French and porteño (Argentine from Buenos Aires) by adoption, the latter, Argentine with French parents.
Gifted with an incredible melodic creativity, he stepped into the musical environment as a modest player of guitar, his first instrument, introduced by his friend Ricardo González, (Muchila).
But the bandoneon will be responsible for his consecration and the faithful witness of his genius and his tormented life. Continue reading.

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First week classes

Here some videos to review the exercises made in class.

Try these exercises and please let us know if you have any questions.

History of Tango video– Part 8: Roberto Firpo and the acceptance of the piano in the Orquesta Típica

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Pocho y Nelly

Pocho y Nelly dance at El Beso milonga:

Pocho Roberto Carreras (1931-2012)

Back in 1947, when he was 16, he practiced with other boys three or four times a week. Then he frequented the Club Patagones, on 200 Quilmes Street, but soon later he dared to step on the huge track of the Club Estados Unidos or of the Franja de Oro.

«Nearly always some dancers arrived and taught us steps and corrected our mistakes. From my neighborhood, Pompeya, I especially remember Tin who danced to Aníbal Troilo’s music with his partner Sarita ».

Later he became habitué to the Club ANBA and thereafter to the Club Oeste, where he would really learn this art. With the passing of time he stood out in tango and even more in milonga. He teamed up with Nelly (Nélida Fernando) and began a career with classes, exhibitions and international tours. Soon he achieved recognition and his name turned out a synonym of elegance and cadence. Read more.

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