“Así se baila el Tango” by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo, 1942.

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Escuela de Tango de Buenos Aires and Marcelo Solis teach Argentine Tango dance lessons.Alberto Castillo

Singer, actor, composer and lyricist
(7 December 1914 – 23 July 2002)

The very peculiar style of Alberto Castillo maybe has something to do with the mocking (humorous) grace of outskirts origin of Rosita Quiroga, Sofía Bozán or Tita Merello. But in no way these are influences; neither have they similarity among them nor Castillo resembles them. Simply, we could group them —and add them to the subsequent Elba Berón— because they are united by a common air, the same unpolished cadence.
However, when Castillo faces deep themes, the tenderness he conveys is striking. Definitively, he is a «voice that does not sound like any other’s voice», as the unforgettable Julián Centeya wisely said. Nor his style is like anyone’s; when he himself said that his peculiar phrasing was what the dancers needed —«people moved according to the nuances of my voice»—, He said to himself: «Here’s the thing!» (something that was needed, that is eagerly awaited), and he never deviated from that way of singing, of that natural style of tango, to which a detail of great importance must be added: his perfect intonation. Continue reading.

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Marcelo Solis

I was born in Argentina. Through my family and the community that saw my upbringing, I have been intimately involved with Tango all my life, and have been an Argentine Tango dancer, choreographer and instructor for over 30 years. I profoundly love Tango dancing, music, and culture, particularly that of the Golden Era. I am a milonguero.